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Seamless integration between AVIWEST’s bonded cellular technology and CyanView’s RCP multicamera control panel enables reliable, low-latency IP-based transmission of control signals from multiple camera types and brands to the control room for live production. Using AVIWEST technology and CyanView RCP, broadcasters can simplify remote operations, reduce costs, and enhance their creativity.
To provide creators with a tool to explore their sonic horizons, Sennheiser has launched the new MKE 400 – a highly directional compact shotgun microphone that brings compelling audio to DSLR/Ms and mobile devices alike.
Company Owner Fred Vogler relies on a combo of new and existing sound files recorded with DPA’s 4091 Omni Condenser and 4560 Binaural Mics and MMA-A Interface.
As broadcasters strive for more and more unique content, live events are growing in popularity. Consequently, productions are increasing in complexity resulting in an ever-expanding number of production staff all needing access to high quality communications. Wireless intercom systems are essential and provide the flexibility needed to host today’s highly coordinated events. But this ever-increasing demand is placing unprecedented pressure on the existing lower frequency solutions.
The year 2020 was a big milestone for the broadcast industry. All major events were cancelled, but media operations still needed to produce shows and events even during the crisis. More than ever, broadcasters turned to the remote production and IP production; in fact, according to Omdia, 37% of media enterprises are now set to embrace remote production on IP.
California based cloud and IP live video technology provider TVU Networks has introduced its TVU Anywhere SDK, a free software development kit for the TVU Anywhere live IP video streaming app.
Apple ProRes RAW recording is available from Panasonic’s LUMIX BGH1 and LUMIX S1 cameras with the Atomos Ninja V.
DP Frida Wendel FSF, used Cooke S7/i Full Frame Plus lenses to shoot Fate: The Winx Saga, the live-action TV adaptation of Nickelodeon’s animated series Winx Club. Following its Netflix launch in January, the show quickly shot to number one in the U.S. and number three in the U.K.
