The launch of new low orbit satellites for global network coverage will have a significant impact on remote live streaming for broadcasters and webcasters. With the likes of Elon Musk’s SpaceX, Amazon’s Kuiper, or one of the other vendors such as Oneweb vying for vertical space, the outlook for remote communications has never looked more open for change.
NDI Version 5 is loaded with highly anticipated new features and unseen capabilities, because it was announced a month ago and hasn’t been released yet.
TV equipment manufacturers are doing what broadcasters do best: Creatively helping each other work through a difficult technical challenge.
So you’re a producer, and your cinematographer is campaigning for the use of anamorphic lenses. Problem is, they’re expensive, and for people who aren’t cinematographic propeller heads, it can seem hard to justify. Let’s look at what’s going on and how we got here, without assuming the reader has a masters’ in cinematography.
One of the earliest and most widespread applications of synchronizing was in television.
In the high stakes world of auto racing, every second counts so whatever a team can do to improve its performance, both on and off the track, is put into play. For the highly successful Corvette Racing team, which competes in endurance races that last 24 hours to the finish, it’s secret weapon is reliable two-way communication between its drivers and crew.
In this second installment of our extended article looking into HDR for cinematography we look at the practical aspects and applications of HDR.
It’s nothing new for technological change to make things obsolete, but a camera manufacturer in the early 2020s might be forgiven a little nervousness. Just look at a catalogue from any electronics retailer in the late 80s. Bedside clock? More or less displaced by phones. Radio? Same. Walkman? Cellular communication devices do that, too. Dictaphones? You guessed it. And cameras? Well, holiday camcorders are a distant memory, as are point-and-shoot stills options.
