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Creating Video Looks Using Camcorder Image Adjustments
Some who shoot RAW using a digital cinema camera claim those who shoot with a video camcorder must live with the camera’s built-in look—a look designed by engineers in Japan. They also claim when you shoot with a digital cinema camera, during color grading you are able to “desigLattice—Wrangling LUTS
Many productions rely on multiple cameras, sometimes from different manufacturers. This creates a color-space problem in production. Lattice can help resolve those issues by color matching the images. …IP Means Integrated Production
Today’s smartphone owners carry more powerful video technology in their pockets than the best state-of-the-art TV broadcast or production facilities could provide two decades ago at any price. The second decade of this century is when off-the-shelf computing matures to the point that it can facilitate and manage nearly aIt’s Time: Sharpen Your Diffusion!
Evaluating the images from 4K cameras like the BlackMagic URSA, AJA Cion, and morass of DSLR variants, the need is glaring for a more finished less brash look, whether shooting a feature film, regional commercial, or the network news. …How a 1953 Standards Decision Affects Today’s Global Television Industry
It pays to have a handle on your industry’s history. Today, few who write modern video software know that over $70 billion a year is generated in global broadcasting based on a non standards-based engineering decision made in 1953 when black and white television transitioned to color. …Grading With DaVinci Resolve 11.3, Part 4 of a Series
Blackmagic’s Davinci Resolve 11 is a versatile and multi-featured program. Video editor and instructor Steve Mullen reviews how to get the most from Resolve 11.3. …What Are Some Key Trends in Broadcast and Media?
After NAB 2015, The Broadcast Bridge’s Frank Beacham talked with Devoncroft president Joe Zaller about current trends in the media and broadcast industry. …Grading With DaVinci Resolve 11.3, Part 3 of a Series
Steve Mullen continues his multipart series on using Blackmagic’s DaVinci Resolve, version 11. In this article, Part 3, Mullen reviews how to set Resolve preferences, import compressed and uncompressed media and grading goals. …HD+4K cameras bring 4K live broadcast closer
The recent spate of announcements from camera manufacturers about plans to market HD and 4K shooters capable of accepting B4-mount standard lenses has been welcomed by the industry and appears to have brought live UHD broadcast launches closer. …Log and RAW Workflows for Digital Cinema Cameras
A growing trend for digital cine cameras is their ability to record in multiple formats. For example, Blackmagic’s new URSA and Mini URSA announced at NAB support several types of RAW formats plus compressed ProRes. …
