EVS, has opened a new IP Expertise Center at its headquarters in Liège, Belgium. The facility is designed to host customer training sessions and allow professionals to test their equipment and workflows in tandem with EVS products in a fully operational IP production environment.
The Gores Group, a Los Angeles based, global private equity firm that has owned Imagine Communications (the former Harris Broadcast) for four years, wants its asset to grow. With a customer base concerned about the next transition—IP, 4K, 1080p HDR—Gores thinks the right strategy going forward is to develop size through M&A as well as global expansion and be “empathetic” to customers’ migration pains
Ross Video announced the launch of Gator, a platform for a new series of UHD capable signal processing products, at Inter BEE 2017.
New outside broadcast vehicles of all shapes and sizes continue to hit the road and among the most notable of this year’s crop is Cinevideo’s first venture into Ultra HD and HDR, Dolphin 7.0. Although on a fixed chassis, this three-expander truck can be configured to offer approximately 60 square metres of space for two different productions running simultaneously.
Having spent much time and energy exploring AES67 (see our recent 3-part series, “Your practical guide to AES67, Parts 1-3”), we’d now like to turn our attention to AES70 – what is it, how does it relate to AES67 and why do we need it?
In this series of articles, we will explain broadcasting for IT engineers. Television is an illusion, there are no moving pictures and todays broadcast formats are heavily dependent on the decisions engineers made in the 1930’s and 1940’s. Understanding broadcast video and audio is a lesson in history and backwards compatibility, and to a certain extent, the two are inextricably entwined.
Lawo Well known for its broadcast TV and radio mixing consoles, Lawo has in recent years expanded int