We discuss the changes that need to happen around the camera, what information we generate, and how that informs the pictures rendered on the screen.
10x Sony’s VENICE 2, 7x ILME-FR7 and 3x ILME-FX6 cameras capture the audiovisual event in HDR as part of the proceedings for Pope Leo XIV’s visit to the cathedral in a 3Cat production.
There are many ways that Artificial Intelligence is claiming to transform broadcast workflows, but they all have one thing in common: they all have to work seamlessly inside existing workflows. Telestream’s Alan Dabul examines practical AI and where it delivers real value across preparation, localization, QC, and distribution without replacing human expertise.
ZEISS announces the Horizon Anamorphic series, a new lineup of full-frame 2x anamorphic cinema lenses designed to deliver a distinctive cinematic look along with a new lens technology platform that answers the need for speed and precision demanded by contemporary production workflows.
Designed to halve the bitrate of AVC while supporting resolutions up to 16K, HEVC represents a significant leap in video coding efficiency. This guide explores its profiles, tiers and levels, and examines whether it can overcome the challenges of entrenched AVC adoption.
Grass Valley and Lawo have announced a technology collaboration focused on validating orchestration, control, and media exchange integration between Grass Valley AMPP and Lawo HOME. The collaboration is aligned with Grass Valley and Lawo’s open system approaches and supports the industry direction established by the EBU Dynamic Media Facility (DMF) initiative and the co-supported Media eXchange Layer (MXL) project.
The technology and techniques of virtual production, from the camera back through the video wall, processors, and rendering servers.
Designed for the 65mm format, this comprehensive set of ten primes represents the ZEISS definitive commitment to large-format cinematography.
