UHD Post-Part 2 The Signal February 14^th 2018 - 12:05 PM

With ATSC 3.0 poised to change the broadcast industry’s basic signal, we need to understand this signal is poised between HD and true 4K.

UHD Post-Creating UHD February 6^th 2018 - 12:05 PM

AlphaDogs is one of the west coast’s premiere post houses, but even they find the prospect of creating UHD projects challenging.

Cutting on the Go: Remote Editing - Part 2 January 23^rd 2018 - 11:00 AM

In the first installment of this article series, we investigated a solution to the post-production editing challenge offered by Avid. Now it is time to see how a prominent facility puts that technology to work.

Cutting on the Go: Remote Editing - Part 1 January 16^th 2018 - 11:00 AM

In today’s fast-pace media world, content often needs to be edited where the content is being produced. A workflow has been developed by Avid that supports an off-site, high-end post production workflow. All the editor needs is an adequate internet connection.

Welcome New Low-Budget Videographers January 5^th 2018 - 11:00 AM

Because of the the holiday season, a lot of young people now have new video gear and may be anxious to try out their video production skills. The good news is today’s technology can provide great images at a lower cost than ever. An important, less technical, skill is…

Which is Better: More Pixels or Better Pixels? January 4^th 2018 - 01:00 PM

The race to ever higher pixel counts never seems to end. One result is that consumers now believe that the path to higher quality images is through more pixels. Yet, other technologies like HDR, WCG and HFR can enhance every TV pixel by adding clarity, depth, and realism without requiring…

Virtual Reality guidelines focus first on delivery ecosystem January 3^rd 2018 - 01:00 PM

The Virtual Reality Industry Forum (VRIF) is presenting its first guidelines at CES 2018 with the initial release focused on the delivery ecosystem and security.

A collaborative colour journey December 22^nd 2017 - 11:00 AM

DIT Simone d’Arcangelo and colourist Anthony Raffaele used an ACES production workflow supported by a range of color tools from Filmlight to help create an iconic 1950’s look for Woody Allen’s new film, “Wonder Wheel”.

Producing News in 360-degree December 12^th 2017 - 10:00 AM

360-degree video is hot. Global 360-degree camera sales are expected to grow at an impressive CAGR of more than 35% through 2020. When will 360-degree news production begin? It’s happening now say some experts.

Cloud Is Not Just For the Enterprise October 19^th 2017 - 01:00 PM

Virtualization and cloud computing is taking us back to the architecture of the mainframe era. A thin client, maybe just a browser, provides the user interface, and the processing takes place at a central location. The co-location of processing and media storage gives the performance needed in a post-production environment.…