Bruce’s Shorts | 4.13 - Does IMF Alter Your Visual Quality Metrics?
Master once and use forever should strike fear in the heart of anyone why hasn’t got their quality pipeline correct. What does this mean for IMF?
There has been much talk recently about optimizing IMF version workflows, and the associated cost savings, in order to achieve the holy grail of master once, use forever.
In this episode Bruce Devlin looks at the mastering process. Some of the first adopters of IMF workflows have been the Hollywood studios. But what of other content owners? IMF present a big opportunity to get the master version right first time and lift the overall quality of a title forever.
Maintaining visual quality involves many things:
- maintaining spatial fidelity
- rescaling and aspect ration adjustment
- high quality de-interlacing
- noise, wanted like film grain, v. unwanted
- changing frame rate
As IMF rolls out it is up the masters of the mastering process to show than high quality done once can lead to a long tail of commercial success. SO don't stamp your master with the 2017 look of inferior technology.
You might also like...
Orchestrating Resources For Large-Scale Events: Part 3 - Contribution & Remote Control
A discussion of camera sources, contribution network and remote control infrastructure required at the venue.
Ten Years Later: NBC Sports’ Stamford Facility Grows With The Times
It was ten years ago, in the fall of 2012, that NBCUniversal opened a new international broadcast center in Stamford Connecticut, as the home for NBC Sports. It served as a way to consolidate its growing employee base and the production…
Orchestrating Resources For Large-Scale Events: Part 2 - Connecting Remote Locations
A discussion of how to create reliable, secure, high-bandwidth connectivity between multiple remote locations, your remote production hub, and distributed production teams.
Interlace: Part 1 - It Began In The 1930’s
At one time broadcast television was inseparable from interlace, whereas now things have moved on, but not without interlace leaving a legacy. So what was it all about?
Compression: Part 4 - Introducing Motion Compensation
Here we introduce the different types of redundancy that can be located in moving pictures.