Special Edition: Super Bowl LI—Technology Insight: Trucks, Technology and Production: Part 1
Once logged in pick the topics and schedule that suits you, we'll update you when something new is published. You can also save articles to your personal library.
Already Registered? Login
Every year the NFL Super Bowl creates a level of excitement uncommon for most sporting events and this year’s event was no exception. The broadcast provided viewers with a dazzling Lady Gaga half-time show and the stunning and record-breaking, come from behind 34 – 28 win by Tom Brady and the New England Patriots.
In Part 1 of this Super Bowl Technology Insight, The Broadcast Bridge takes you behind-the-scenes, looking inside the trucks and technology used to create this year’s Super Bowl game. From kick-off to the Patriots’ in an overtime, game-winning touchdown, you will see how the broadcast was created.
On board Game Creek’s Encore production control room, complete with Grass valley production switcher and EVS Replay systems.
This year’s Super Bowl telecast proved to be a winning combination of trusted and new technology mixed with a bit of WOW factor. Teams of trucks and personnel from NEP and Game Creek Video handled the core of both broadcast and production. The production trailers held some of the most complex and sophisticated video and audio production equipment available. Want a peek inside?
In this package, you will learn about the gear inside the trucks, how it was used and results obtained. With just under 30 trucks and production OBVs located around the Houston NRG Stadium, miles of fiber, wireless and copper connected the puzzle pieces together.
Lady Gaga Half-Time Show at Super Bowl LI.
This year’s Super Bowl broadcast was a combination of high technology and an edge-of-your-seat experience with a spectacular come-from-behind tie to an over-time win, by the New England Patriots. To say this year’s Super Bowl broadcast was remarkable is an understatement.
Want to know more about how all this technology works? Behind-the-scene details are just ahead.
You might also like...
Color and Colorimetry – Part 8
The derivation of the famous CIE horseshoe was explained in the previous part in terms of a re-mapping or distortion of rg color space. The derivation is somewhat abstract because the uses of color science go far beyond the applications…
Audio Over IP Primer For Broadcast - Part 2
In Part 1 we introduced the benefits of Audio over IP and investigated some of the subtleties that make it the ideal choice for modern broadcast facilities. In Part 2, we look at the practicalities of making AoIP work in a real-time…
Why On-Camera Filters Still Matter
We live an era of immensely powerful post-production tools with advanced color-correction and software plug-ins to serve every conceivable function. We can routinely remove guy wires from scenes, change day to night, and add just the right amount of coral…
Sensors and Lenses - Part 2
Last time, we talked about the history that created modern digital cinema technology, and particularly the factors which lead to the modern push for ever larger sensors. It’s been going on in some form for twenty years, to the p…
Future Production
It’s not controversial to say that film production in London has been booming for a few years, and there’s no real secret as to why: in 2006, Gordon Brown’s government introduced tax incentives that have played at least a par…