Windmill Lane Pictures Upgrades To Immersive Media Production With Genelec

Windmill Lane Pictures is a renowned creative production hub specialising in Commercials, Film, TV, VFX, and Animation. With a long and colourful history, it has developed into Ireland’s leading picture and sound post-production, VFX and content creation studio – collaborating with many industry giants including Netflix, HBO, Universal and Sony Pictures.

With immersive storytelling gaining greater significance in today’s creative landscape and guided by a mission to ‘Make Great Stories,’ Windmill acknowledged the critical role of staying at the forefront of audio technology – and therefore opted for a studio and equipment upgrade. New consoles have been integrated into two state-of-the-art mixing rooms designed to support post-production services, with Studio One now equipped with a Genelec 7.1.4 monitoring system for Dolby Atmos immersive mixing.

Windmill moved to its current building in 2009, engaging the services of White Mark to design and build three Genelec-equipped 5.1 audio post-production studios, with local Genelec distributor Big Bear Sound supplying, installing and commissioning the monitoring systems. Studios One and Two were similar in size, both with VO booths, complemented by the slightly smaller Studio Three. Since then, the facility has expanded to include five post studios, five edit suites, two presentation rooms and a grading room – deploying a grand total of over 55 Genelec monitors.

When Windmill decided to upgrade Studio One from 5.1 to Dolby Atmos, it also took the opportunity to standardise the facilities in all five audio post studios, enabling a seamless transition for engineers moving between rooms. Studio One’s transformation involved significant changes, including a complete re-wire of the AV cable infrastructure, modification to the existing studio furniture and the replacement of the acoustic fabric. These efforts were supported by Big Bear which played an integral role in the installation and commissioning of the rooms.

Studio One’s newly upgraded immersive system comprises the original 1038B three-way monitors in the LCR positions, with an additional two 8050A two-way models supplementing the original pair of 8050As in the side and rear positions. Four new 8030C compact two-way models have been deployed for the overhead channels, with low frequencies handled by the room’s original 7073A subwoofer. This fusion of older and newer Genelec models has resulted in a streamlined workflow, allowing more time for creativity in the mix and expediting file exporting for remote approval.

You might also like...

Audio For Broadcast: Cloud Based Audio

With several industry leading audio vendors demonstrating milestone product releases based on new technology at the 2024 NAB Show, the evolution of cloud-based audio took a significant step forward. In light of these developments the article below replaces previously published content…

Designing IP Broadcast Systems: Why Can’t We Just Plug And Play?

Plug and play would be an ideal solution for IP broadcast workflows, however, this concept is not as straightforward as it may first seem.

Why Live Music Broadcast Needs A Specialized Music Truck

We talk to the multi-award winning team at Music Mix Mobile about the unique cultural and creative demands of mixing music live for broadcast.

An Introduction To Network Observability

The more complex and intricate IP networks and cloud infrastructures become, the greater the potential for unwelcome dynamics in the system, and the greater the need for rich, reliable, real-time data about performance and error rates.

Designing IP Broadcast Systems: Part 3 - Designing For Everyday Operation

Welcome to the third part of ‘Designing IP Broadcast Systems’ - a major 18 article exploration of the technology needed to create practical IP based broadcast production systems. Part 3 discusses some of the key challenges of designing network systems to support eve…