AJA Introduce ColorBox For Color-Accurate Broadcast, Production And Post

ColorBox is a portable, high-performance device with unprecedented inline algorithmic color transforms and LUT processing capabilities delivering precise and accurate color space conversions for live broadcast, live events, on-set production and post production.

ColorBox enables a range of HDR and SDR conversions and allows DITs to easily load, modify, and save looks, and create reference images for dailies to ensure color accuracy across all production stakeholders and creative vendors. 

ColorBox arrives as more productions are standardizing on 4K/UltraHD HDR, with color and LUT management proving essential to creating and achieving looks for live and scripted content. Designed to support a wide range of look management approaches on-set and in live production environments, ColorBox features 12G-SDI in/out and HDMI 2.0 out for up to 4K/UltraHD 60p 10-bit YCbCr 4:2:2 and 30p 12-bit RGB 4:4:4 signal support. ColorBox includes AJA Color Pipeline (ACP) Mode with a 33-point 3D LUT processor with tetrahedral LUT interpolation, four built-in user-configurable 1D LUTs, and two 3x3 user-configurable matrices. ColorBox users also benefit from a built-in RGB color corrector and ProcAmp, extensive LUT, matrices and image libraries, powerful capture and recall capabilities, ancillary (ANC) metadata management, and more. All of this is easily controlled via an integrated web browser-based interface.

In total, ColorBox offers five Modes with one active at any given time.

  • AJA Color Pipeline (ACP)
  • Colorfront
  • ORION-CONVERT (Optional license - watermarked preview)
  • BBC HLG LUT (Optional license - watermarked preview)
  • NBCU LUT

ColorBox packs ultra low-latency, high-density 4K/UltraHD processing into a portable device with a robust feature set of SDR/HDR/WCG color transforms for many applications. Extensive frame capturing features include pre-processed image capture or post-processed output capture for reference stills with overlaid metadata, such as video payload ID’s, pipeline configuration, and customizable user text. These frame captures can be saved locally and exported to the configuration PC running the web browser-based ColorBox user interface.

A built-in USB OTG port lets users easily configure ColorBox wirelessly via a 3rd party USB WiFi adapter. 12G-SDI and HDMI 2.0 outputs provide up to 4K/UHD video for local monitoring, and an additional 12G-SDI loop through output is available for connecting the unaltered source to other devices.

You might also like...

Shooting Apple TV Series ‘Constellation’ With Cinematographer Markus Förderer

We discuss the challenges of shooting the northern lights in the winter dusk and within the confines of a recreated International Space Station with cinematographer Markus Förderer.

Designing IP Broadcast Systems: Where Broadcast Meets IT

Broadcast and IT engineers have historically approached their professions from two different places, but as technology is more reliable, they are moving closer.

Audio At NAB 2024

The 2024 NAB Show will see the big names in audio production embrace and help to drive forward the next generation of software centric distributed production workflows and join the ‘cloud’ revolution. Exciting times for broadcast audio.

SD/HD/UHD & SDR/HDR Video Workflows At NAB 2024

Here is our run down of some of the technology at the 2024 NAB Show that eases the burden of achieving effective workflows that simultaneously support multiple production and delivery video formats.

Standards: Part 7 - ST 2110 - A Review Of The Current Standard

Of all of the broadcast standards it is perhaps SMPTE ST 2110 which has had the greatest impact on production & distribution infrastructure in recent years, but much has changed since it’s 2017 release.