Calrec Announces New Argo IP Audio Mixing System At IBC 2022

Calrec Audio has unveiled a brand-new audio mixing system designed to keep pace with the changes broadcasters are experiencing in their production workflows. Designed to adapt to changing production needs, Calrec’s Argo is a new approach to audio mixing, with a flexible control philosophy that breaks the traditional geographic tie lines between processing and control.

Argo is fully modular with interchangeable hardware panels and uses Calrec’s time-served Assist UI at its core. This means that whether you are working on physical hardware panels or on a remote GUI, the user interface is both familiar and easy to drive. It’s modular panel system encourages broadcasters to adapt surface hardware to meet their unique requirements, with two mid-level rows of interchangeable panels on the larger Argo Q model, and one mid-level row on the compact Argo S model. Calrec has also introduced a comprehensive system of user templates to instantly change the hardware user interface to meet changing requirements or user preferences.

This is built around an expanded version of Calrec’s popular ImPulse IP core. ImPulse can also be located anywhere; the location of the control surface is not tied to the processing core. It can power up to four independent mix environments, including headless mixers accessed on the public internet, with each mixer able to access more than 2,350 processing paths on a single console; this provides enough power to deal with the biggest immersive and NGA mixing demands.

The physical control surface is also more streamlined, using optically bonded touchscreens to provide unrivalled visual feedback and speed of access. Soft panels provide a richer user experience and hardware panels allow users to build definable functions and apply these as templates - this helps operators move around the surface faster and makes it more intuitive.

Argo’s panels are also interchangeable and can be placed wherever they are needed. This makes it easy to grow and adapt the console to individual requirements and it means the desk can easily be split for sub mixing or mixing in other locations.

Like all Calrec consoles, Argo builds on Calrec’s broadcast-specific and industry-leading surface redundancy. All control elements can be duplicated so an operator can use any panel to access inputs and controls, while fader scrolling functionality adds more protection. When combined with redundant hardware as standard, Argo provides SMTPE’s hitless packet merging alongside a second layer of hardware redundancy to guarantee broadcast uptime.

Optional AoIP IO modules are available - which can be fitted directly into the control surface, with a variety of I/O options. These can be fitted into every section of the console to give the operator a variety of input options, make cabling more efficient and save space in external racking.

With NGA content on the increase and broadcasters adding value to productions with increasingly complex NGA output formats, Argo provides tools to make everything simpler to organize and manage. Flexible immersive spill helps maintain total control over multi-channel formats but with no need for dedicated surface real estate. Multi-channel sources can be controlled on a single fader but spilled out onto more faders for fine control; Argo allows spill faders can be placed anywhere on the control surface, on any layer and in any position to free up space and make the workspace more adaptable to individual needs.

New operational features include; Key Inputs and Ducker; full EQ and Dynamics on Auxes and Tracks; Flexible Spill; User configurable colours for faders; Control Links; Inserts on Auxes; Variable slopes on EQ shelves and filters; Flexible panel layouts (Wilds). Argo has an increased DSP engine which provides 2496 channels on a single console, and physical flexibility up to eight sections to provide up to 96 faders. Multiple sections can be combined or geographically diverse, while the enhanced ImPulse core provides enough horsepower to drive up to four Argo mix environments on one IP core.

You might also like...

Production Control Room Tools At NAB 2024

As we approach the 2024 NAB Show we discuss the increasing demands placed on production control rooms and their crew, and the technologies coming to market in this key area of live broadcast production.

Designing IP Broadcast Systems: Where Broadcast Meets IT

Broadcast and IT engineers have historically approached their professions from two different places, but as technology is more reliable, they are moving closer.

Audio At NAB 2024

The 2024 NAB Show will see the big names in audio production embrace and help to drive forward the next generation of software centric distributed production workflows and join the ‘cloud’ revolution. Exciting times for broadcast audio.

SD/HD/UHD & SDR/HDR Video Workflows At NAB 2024

Here is our run down of some of the technology at the 2024 NAB Show that eases the burden of achieving effective workflows that simultaneously support multiple production and delivery video formats.

Standards: Part 7 - ST 2110 - A Review Of The Current Standard

Of all of the broadcast standards it is perhaps SMPTE ST 2110 which has had the greatest impact on production & distribution infrastructure in recent years, but much has changed since it’s 2017 release.