Marshall Debuted Next-Gen Professional Broadcast Monitors At NAB 2022

The V-702W, (and the 12G-compatible model V-702W-12), are feature-packed dual 7” LCD professional broadcast monitors, perfect for fly-packs, control rooms, routing rooms and countless other video system applications.

The monitors have a slim design being only 3RU (5") in size. They feature two 1920 x 1200 bright, colorful displays, as well as digital inputs: HDMI, 3G-SDI digital inputs with active loop-through (auto selects HDSDI/3G-SDI). The V-702W/V-702W-12G include waveform/vector displays, peaking filter, selectable markers and 1:1 pixel mapping; over scan and H/V delay modes, as well as log/HDR side-by-side comparison. Other features include audio de-embedding and monitoring via front panel headphone jacks, and built-in LED three-color tally indicators.

The ML-702 dual 7" monitor with multiple input types was also unveiled at the show. Utilizing just 5" of rack space (3RU) it has an integral tilt mount. The LCD display features 3G-SDI, HDMI and AV inputs. Digital inputs have active looping outputs. It also has standard power and tally connections, as well as a logical menu structure.

The ML-503 Triple 5" monitor uses two rack units (3.5") of space, and has a tilt mount. It includes 3G-SDI, HDMI and AV inputs, and all digital inputs loop through.

“This year, we have a range of compact, multi-featured, multi-display monitors. As rack space becomes scarce, these monitors provide exciting features in a compact format with tilting mounts, as well as low power consumption and heat output. With the recent emphasis on remote production, these units are perfect for fly-packs, compact vans and other busy spaces,” says Greg Boren, Product Marketing Engineer at Marshall Electronics.

You might also like...

The Resolution Revolution

We can now capture video in much higher resolutions than we can transmit, distribute and display. But should we?

Microphones: Part 3 - Human Auditory System

To get the best out of a microphone it is important to understand how it differs from the human ear.

HDR Picture Fundamentals: Camera Technology

Understanding the terminology and technical theory of camera sensors & lenses is a key element of specifying systems to meet the consumer desire for High Dynamic Range.

Demands On Production With HDR & WCG

The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.

NDI For Broadcast: Part 3 – Bridging The Gap

This third and for now, final part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to a trio of tools released with NDI 5.0 which are all aimed at facilitating remote and collaborative workflows; NDI Audio,…