Harvard University Athletics Enhances Broadcast Audio With Studio Technologies

Harvard University Athletics has grown its sports broadcasts significantly over the last few years, doubling online viewership and establishing partnerships with ESPN and other national and regional networks. To help deliver excellent audio during these productions, Harvard turns to products from Studio Technologies, manufacturer of high-quality audio, video, and fiber-optic solutions.

Units like the Model 204 and Model 230 Announcer’s Consoles, Model 45A Audio Interface, and Model 45DC Intercom Interface have enabled student-led production teams to run about 300 pro-level broadcasts across 42 teams each year, including football, basketball, skiing, rowing, fencing, and more.

Imry Halevi, Assistant Director of Athletics at Harvard, specifically highlighted the Model 230 Announcer’s Console, which has been the “workhorse for all Harvard’s productions.” The tabletop unit serves as an audio control “hub” for announcers, commentators, and production personnel. Halevi said games typically have two commentators who use Model 230 units while live on air, and to communicate with production personnel behind the scenes.

Harvard has also leveraged the Model 45A Audio Interface for additional flexibility with offsite audio sources. Halevi cited broadcasts for skiing carnivals in New Hampshire and Vermont, when production personnel weren’t able to communicate with camera operators via a phone call or Zoom. Using the Model 45A, the control room established a connection with the operators in the field by tying their live stream setup into their offsite communication system. “It was as though they were sitting next to us, it was just that much easier,” added Halevi.

Halevi said the school recently started using the Dante enabled Model 204 Announcer’s Console and Model 45DC Intercom Interface for “productions where running long analog XLR cables is not practical.” As an example, the Model 45DC is handling broadcast commentator audio from a soccer field that’s far from their control room but still in range of the campus IT network. “It’s allowing us to do many more flexible things using Dante,” said Halevi. “We’ve produced 10 games so far with our Model 204s and 45DCs, including three broadcasts on linear TV (NESN).”

With a staff of 65 students, Halevi also noted the value of Studio Technologies’ intuitive user interfaces and durable designs. “Students are not generally known as the most careful with equipment,” Halevi joked. “Thankfully, we’ve never had a console break. Everything has always worked and sounded great.”

You might also like...

Designing IP Broadcast Systems: Integrating Cloud Infrastructure

Connecting on-prem broadcast infrastructures to the public cloud leads to a hybrid system which requires reliable secure high value media exchange and delivery.

Designing IP Broadcast Systems: Where Broadcast Meets IT

Broadcast and IT engineers have historically approached their professions from two different places, but as technology is more reliable, they are moving closer.

Comms In Hybrid SDI - IP - Cloud Systems - Part 2

We continue our examination of the demands placed on hybrid, distributed comms systems and the practical requirements for connectivity, transport and functionality.

NAB Show 2024 BEIT Sessions Part 2: New Broadcast Technologies

The most tightly focused and fresh technical information for TV engineers at the NAB Show will be analyzed, discussed, and explained during the four days of BEIT sessions. It’s the best opportunity on Earth to learn from and question i…

Standards: Part 6 - About The ISO 14496 – MPEG-4 Standard

This article describes the various parts of the MPEG-4 standard and discusses how it is much more than a video codec. MPEG-4 describes a sophisticated interactive multimedia platform for deployment on digital TV and the Internet.