Gravity Media Invests In Remote And Hybrid Post Kit

As the post-Covid era approaches, Gravity Media says it is now ready for the future of editing and a noticeable shift towards a hybrid working model.

It has implemented a major investment programme for its London post-production services. A significant sum is being spent on kit upgrades and a long-term extension to the lease of its facility in Soho, “which will benefit its core client base – producers of high-quality drama and features.”

Gravity House, the 50-suite facility based on Frith Street which was set up by Gravity Media in 2017, will now have media housed securely on Avid Nexis shared storage on site while editors can work from their preferred location using Media Composer and HP hardware.

Leostream handles traffic from multiple cloud-based services, including Teradici, HP ZCentral, Amulet Hotkey and Windows Remote to provide a secure gateway and simple interface. Team viewings can be carried out safely in person at Gravity House, or remotely using Apple TV.

Key investment in new technology includes Amulet Hotkey DXZ4 Quad Zero Clients, DXH4 Quad Host Cards for PC and DXT-H4 Host Units for Mac, as well as powerful HP ZCentral 4R 1U workstations and Sienna NDI streaming solutions.

“The positive reaction from our customers to the flexibility offered by remote working with us during the pandemic will see this trend develop into a more established hybrid model as restrictions ease,” said Meryl McLaren, Director Media Services & Facilities at Gravity Media EMEA. “It’s great to have the option to work from anywhere, but there are real creative advantages to be had when bringing people together again under one roof. The technology and infrastructure investments we’re making will further support this hybrid model and enable us to continue its long-term development.”

The company claims to have the ability to deliver and install hardware packages for remote working including standalone offline edits, grades and dubs, as well as laptops running Adobe Creative Cloud to any location.

You might also like...

Virtual Production At America’s Premier Film And TV Production School

The School of Cinematic Arts at the University of Southern California (USC) is renowned for its wide range of courses and degrees focused on TV and movie production and all of the sub-categories that relate to both disciplines. Following real-world…

Why AI Won’t Roll Out In Broadcasting As Quickly As You’d Think

We’ve all witnessed its phenomenal growth recently. The question is: how do we manage the process of adopting and adjusting to AI in the broadcasting industry? This article is more about our approach than specific examples of AI integration;…

Designing IP Broadcast Systems: Integrating Cloud Infrastructure

Connecting on-prem broadcast infrastructures to the public cloud leads to a hybrid system which requires reliable secure high value media exchange and delivery.

Production Control Room Tools At NAB 2024

As we approach the 2024 NAB Show we discuss the increasing demands placed on production control rooms and their crew, and the technologies coming to market in this key area of live broadcast production.

Designing IP Broadcast Systems: Where Broadcast Meets IT

Broadcast and IT engineers have historically approached their professions from two different places, but as technology is more reliable, they are moving closer.