Core Insights: Making Remote Mainstream

April 15th 2020 - 10:00 AM
Tony Orme, Editor at The Broadcast Bridge

Recent international events have overtaken normality causing us to take an even closer look at how we make television. Physical isolation is greatly accelerating our interest in Remote Production, REMI and At-Home working, and this is more important now than it ever has been.

Remote Production is one of the drivers for video and audio over IP distribution. The flexibility IP offers delivers greater scalability and flexibility and provides more options for solving complex workflows. However, this is not just confined to existing working practices, IP empowers broadcasters to rethink and optimize working practices to deliver unprecedented efficiencies.

Moving production crews back to a central studio helps broadcasters make better use of their resources to deliver more programming for ever demanding audiences giving them greater choice. However, this model of operation creates many new challenges. Although they’ve already been solved by vendors, understanding the intricacies of these solutions is key for any broadcaster looking to adopt the Remote Production model.

Remote Production isn’t just about moving crews to a centralized location but instead is about giving broadcasters much more choice. The flexibility this system offers is unprecedented and many factors influence the best operational solution.

This Core Insight discusses the many solutions available and their respective advantages, and looks at how broadcasters can leverage the flexibility to deliver the best system possible to facilitate live events from all over the world.

Supported by

You might also like...

Microphones: Part 10 - Mid-Side (M-S) Recording And Processing

M-S techniques provide useful sound-field positioning and a convenient way to check mono compatibility. We explain the hard science behind this often misunderstood technique.

Microphones: Part 9 - The Science Of Stereo Capture & Reproduction

Here we look at the science of using a matched pair of microphones positioned as a coincident pair to capture stereo sound images.

Microphones: Part 8 - Audio Vectorscopes

The audio vectorscope is an excellent tool for assuring quality in stereo sound production, because it makes the virtual sound image visible in the same way that a television vectorscope allows the color signals to be seen.

Microphones: Part 7 - Microphones For Stereophony

Once the basic requirements for reproducing sound were in place, the most significant next step was to reproduce to some extent the spatial attributes of sound. Stereophony, using two channels, was the first successful system.

IP Security For Broadcasters: Part 12 - Zero Trust

As users working from home are no longer limited to their working environment by the concept of a physical location, and infrastructures are moving more and more to the cloud-hybrid approach, the outdated concept of perimeter security is moving aside…