Real World IP Event Video Series - Part 4 - Gerard Phillips – Arista Networks
Part 4 in our series of videos from ‘Real World IP’, a one-day seminar event from The Broadcast Bridge held at BAFTA in London, Gerard Phillips, Systems Engineer at Arista Networks, discusses network topologies and ethernet switches.
In this ground-breaking talk, Phillips describes the design criteria for guaranteeing robust PTP distribution, the special considerations for media network architectures, what is involved in programming network switches, and how to choose an ethernet switch for media applications.
Analyzing PTP at the network layer, Phillips discusses packet delivery variance, why it occurs in heavily utilized ethernet switches, and the effects this has on terminal equipment synchronizing to a PTP Grand Master.
Watch the video; HERE.
Please note you must be logged in to access this video.
You might also like...
Audio For Broadcast: I/O & Recording Devices
We explore the basics of physical connectivity & signal management encountered in broadcast audio systems alongside the destination recording devices.
Motion Pictures: Part 5 - True Motion TV
Having looked at the traditional approach to moving pictures and found that the portrayal of motion was irremediably poor, thoughts turn to how moving pictures might be portrayed properly.
The Potential Impact Of Quantum Computing
Quantum Computing is still a developmental technology but it has the potential to completely transform more or less everything we currently assume regarding what computers can and can’t do - when it hits the mainstream what will it do…
HD/4K/HDR Multi-Format Video Workflows At IBC 2023
From capture, through production and onwards to delivery, handling multiple formats simultaneously is a core challenge for broadcast workflows. Thankfully there will be plenty of technology options on show at IBC to facilitate even the most complex requirements.
Virtual Production For Broadcast: Lighting Tools For The Virtual World
When conventional VFX are produced, there’s often a real-world lighting reference available. That approach can be used in virtual production, but increasingly, the director of photography might want or need to have some pre-production involvement in the development of a…