‘Real World IP’ Event Video Series: Part 1 – Introduction – Tony Orme
In Part 1 of our series of full length videos from our one-day Real World IP seminar, hosted by The Broadcast Bridge and held at BAFTA in London, Tony Orme, Editor of The Broadcast Bridge, introduces the problem broadcast IP infrastructures solve, that is, to improve flexibility and scalability, resulting in reduced costs and improved workflows.
Orme introduces SMPTE’s ST2110 and explains how it abstracts away the video, audio, and metadata from the underlying transport stream and in doing so re-invents the essence timing relationship.
By using PTP, each video frame, audio sample group, and frame accurate metadata packet can be individually stamped to facilitate flexible processing and synchronization of the essence streams throughout the workflow.
Watch the video; HERE.
Note you need to be logged in to access this video.
You might also like...
Virtual Production For Broadcast: Image Based Lighting
Ensuring consistency of lighting between the virtual world and physical objects on set requires controlling production lighting based on image content.
Virtual Production For Broadcast: Part 4 - Uniting The Physical & The Virtual
Virtual Production For Broadcast is a major 12 article exploration of the technology and techniques of LED wall based virtual production approached with broadcast studio applications in mind. Part 4 examines image based lighting, new developments in RGBW LED technology and what i…
How Starlink Is Progressing As An Alternative To 5G
TV stations have mostly parked their satellite trucks and ENG vans in favor of mobile bi-directional wireless digital systems such as bonded cellular, wireless, and direct-to-modem wired internet connections. Is Starlink part of the future?
Virtual Production For Broadcast: Motion Capture
One of the creative advantages of virtual production for performers is seeing the virtual environment in which they are performing. Using motion capture techniques extends this into capturing the motion of performers to drive CGI characters. New technologies are rapidly…
Virtual Production For Broadcast: Capturing Objects In 3D
Sometimes, there’ll be a need to represent real-world objects in the virtual world. Simple objects could be built like any VFX asset; more complex ones might be better scanned as a 3D object, something some studios have begun to c…