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Here we dip a toe into spectrum analysis. The water’s warm.
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V6 Production, one of Thailand’s top production companies, has selected LiveU’s live streaming and REMI (remote production) solution to provide innovative live coverage from a series of live sports events. These include the “Thailand Super Series” (supercar racing), Thai Boxing, Buriram Marathon and Midnight Marathon.
Riedel Communications is collaborating with SailGP Technologies and Skyroads, a global leader in the field of automated flight, to deliver new and more immersive imagery as well as a substantially reduced CO2 footprint at major public events.
With help from their U.S. counterparts at Sinclair Broadcasting Group (SBG), the second-largest television station operator in the U.S., South Korean broadcasters are working on a terrestrial ultra-high-definition (UHD) 4K broadcasting network to be deployed in 2023. It’s all part of a state project that is being funded by SK Telecom, a top mobile carrier in Seoul, and supported by Cast.era, a joint venture between the Korean mobile carrier and Sinclair.
With virtually every large and mid-sized broadcaster deploying (or soon to be) some type of cloud-based infrastructure to help keep up with the demand for more content, Grass Valley is helping its customers migrate from SDI baseband operations cost-effectively. That’s because customer feedback has shown that in today’s cost-conscious world, fast and efficient deployment and re-purposing of systems for alternative scenarios or productions is a key requirement.
Viaccess-Orca (VO), a Paris based vendor of content protection and OTT software, showcased its powerful, end-to-end TV platform at ANDINA LINK 2022.
Media companies can now monitor twice the number of uncompressed signals within the same compute infrastructure thanks to TAG Video Systems’ support of PCIe Gen 4 servers. The company’s Realtime Media Performance Platform operates in the cloud, on COTS servers or hybrid configurations and supports thousands of sources including all the latest formats and transports.
For decades, a television studio’s production team has been no further from the action than a cable can comfortably be run.
