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Most microphones need a diaphragm in order to follow some aspect of the air motion that carries the sound.
The pressure to extract more revenue from ever shrinking budgets, due to expensive content rights contracts, is causing Broadcasters to re-evaluate—and in many cases reduce—how they spend their money on production tools and infrastructure. Recognizing this, live production technology providers like Grass Valley are getting “creative” in how they sell their products and cloud-native systems.
Video interface and IP workflow vendor Magewell has launched multi-device management software available free of charge for on-premises server or cloud hosting platforms.
The conversion of monochrome TV to color was quite a trick, but it came at a cost.
The studio at Visual Three boasts a robust 4K/UltraHD HDR infrastructure equipped with a range of AJA’s powerful broadcast solutions, including the FS-HDR real-time HDR/WCG frame sync and converter, to produce pristine content for live workflows.
IP is well known and appreciated for its flexibility, scalability, and resilience. But there are times when the learning curve and installation challenges a complete ST-2110 infrastructure provides are just too great.
IP and COTS infrastructure designs are giving us the opportunity to think about broadcast systems in an entirely different manner. Although broadcast engineers have been designing studio facilities to be flexible from the earliest days of television, the addition of IP and COTS takes this to a new level allowing us to continually reallocate infrastructure components to make the best use of expensive resource.
We live in fascinating times: increasingly, we live in the era of cloud-based broadcast operations.
