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Ross Video has agreed to terms to acquire Austria-based Spidercam, the global supplier of broadcast cable camera solutions. Spidercam made its television debut in 2005 and is now the market leader in cutting-edge cable camera solutions used to create unique outdoor shots for sporting events, concerts, esports and TV shows around the globe.
Complementing its LiveU Matrix IP cloud video distribution service, LiveU has unveiled its new Matrix Transceiver with up to four flexible in/out SDI feeds, designed for maximum versatility for switching between live video distribution and contribution.
We continue our series on Broadcast Audio Systems with a discussion about workflow with multi-award winner Robert Edwards. We look at general purpose workflows, and some considerations for different types of production across news, sports and chat shows. As the degree of complexity and stress ramps up as soon as a live audience is introduced, part two will look at more expansive light entertainment shows which have audiences, multiple presenters, bands and egos.
Mo-Sys bMR is a new category of product that combines an LED content server with a MOS controlled on-air graphics system powered by Unreal graphics. The product has been designed for broadcasters who want to transition to an LED based virtual studio, with MOS controlled on-air graphics based on Unreal, and is targeted at sports, news, and current affairs programming.
Samyang’s new V-AF family has been designed specifically for video creators, to make content creation more convenient.
Zixi has announced a partnership with Marshall Electronics, a worldwide provider of professional Broadcast and AV technologies for television production, enterprise AV, UCC, studio, corporate, courtroom and others, who have integrated the SDVP into their lineup of IP cameras.
Sony launches the FR7, the world’s first*1 PTZ camera to combine a full-frame image sensor, lens interchangeability, and remote shooting functionality.
LiveU has announced the LU810 and LU610S, its breakthrough rackmount REMI (remote production) encoders with support for 5G, 4K and synchronized, multi-camera contribution.
