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Creative Analysis: Part 6 - The Middle Man With DOP John Christian Rosenlund
Director of photography John Christian Rosenlund has at least a three-decade history with director Bent Hamer. Their most recent collaboration, The Middle Man, depicts a town in the northern United States during a post-industrial depression. It’s perhaps not a subject instinctively associated with Rosenlund and Hamer’s Norwegian roots, thoHDR: Part 10 - Large Format Cinematography And Lenses
Most film and TV jobs start with some simple questions, as Gregory Irwin puts it. “What is it, where is it, when is it.” In April 2018 Irwin found himself asking those questions of cinematographer Lawrence Sher, with whom he’d collaborated on five previous films beginning with John Hamburg’s I LoveCreative Analysis: Part 1 - The Nest From The DOP
Glasgow in December is a place and a time with a particular look, and The Nest is a production which enthusiastically embraces that aesthetic. Broadcast in the UK beginning in March 2020, it was produced for the BBC by Studio Lambert as five one-hour episodes featuring a couple, played by MartinOperating An IP Broadcast Facility: Part 3 - At CBC’s New IP Broadcast Center, Communication Is Key
CBC/Radio-Canada (CBC) is putting the finishing touches to a brand new all-IP broadcast facility that will provide virtually unlimited flexibility across multiple platforms to support highly efficient production and distribution workflows for its radio, TV and online programming. …We Need Perfect Lenses After All
Veteran cinematographers and DOPs have long understood that lenses have a personality with a specific look and feel. In the same way that an actor imparts his or her interpretation on a film’s story, the DOP selects a lens that best supports the program’s emotional stakes. The ideal cam4K Broadcast Lens Makers Focusing On HDR To Jumpstart Adoption
The increasing use of High Dynamic Range (HDR) and wide color gamut (WCG) acquisition has not only improved signal quality on live sports and other telecasts, it has also helped the bottom line of those that make professional 4K lenses. Both visual and lab tests have shown that the superiorBroadcasting 8KTV, Because You Can
The broadcast industry is mired in a state of resolution confusion. HD is the format du jour, 4K UHD is emerging quickly and proponents of 8K refuse to stay quiet. For a broadcast engineer, it’s enough to make your head spin. …Shooting HDR: A More Efficient Way
As High Dynamic Range (HDR) and Wide Color Gamut (i.e.BT.2020) are increasingly mandated by major industry players like Netflix and Amazon, DOPs in the broadcast realm are under intense pressure to get it right during original image capture. We all know (or learned the hard way) that theThe Story Of Liberty In 8K Video And Immersive Sound
Humans create their art with the materials available in the era they live in. When French workers created the 151-foot tall Statue of Liberty in the 1870s, they used copper, iron and granite for construction. Five years ago, when a new generation of workers began creating the Statue of LibertyRecently I was pondering on why cameras come in so many shapes, and what lies behind design decisions. Camera fall into two classes, live, and camera/recorders (camcorders). There was a time when the shape of a camcorder was defined by the recording medium. Cine cameras had two reels on top or to the rear, and video cameras were long to accommodate the tape transport. Now the only constraint is the component holding the sensor or prism block and the lens mount together in a fixed alignment.
