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IP solutions were top-of-mind at IBC and NAB. The question remains, are they real.
Esports Expands Audiences Using Broadcast IP Production & Distribution – Part 2 – The IP Technology
Esports viewership worldwide is on a steep upward trajectory and will soon begin to challenge traditional sports broadcast audience figures. As the esports and traditional sports communities converge, what can traditional broadcasters learn from the remote production workflows being pioneered by one of esports’ major game developers? In part 2 of tIn Pursuit Of A Better Live Production Switcher
Like many critical professional equipment categories, live production switchers (“vision mixers” to many overseas) have undergone a transformation based largely around the implementation of software-defined features and multi-layered capabilities that allow the operator to do more. When EVS introduced its Dyvi switcher in 2017, it boasted a software-defined architecture - basically a sHow Live Production Benefits From Software-Defined Switching
As the myriad of live competition television shows continue to attract new and ever larger audiences for TV networks, producing them live has become so complicated that a second technical director (TD), often called a “screens TD,” is now often being employed in concert with the lighting department’s graphics serveAs engineers and tech managers turn their thoughts to the spring NAB show, many ask, “What might be the really cool stuff at the show?” Unless you are part of the setup crew, show technology themes remain more mystery than fact until the exhibit halls open.
TV Director Treats Super Bowl Telecast Like Any Other Game
Like many professional football players themselves, CBS Sports Lead television director Mike Arnold tries to treat the Super Bowl as he would a regular season game, calling the same shots and camera angles—albeit with many more cameras at his disposal, augmented reality graphics on the field and virtually every pSuper Bowl LIII Set To Dazzle On CBS
This year’s Super Bowl LIII telecast on CBS will be produced and broadcast into millions of living rooms by employing the usual plethora of traditional live production equipment, along with a few wiz bang additions like 4K UHD and an 8K camera for replays, and specially equipped wireless handheld cBandwidth Pricing Can Be Biggest Hurdle To REMI (At Home) Success
There’s been a lot of talk about the resource efficiencies related to remote operations for live production, but the cost of bandwidth to connect all of the disparate locations continues to make this way of working prohibitive for most second-tier producers. …Resource Sharing Via IP Becoming Common Production Strategy
The combination of the completion of the video distribution over IP standard and an increase in the cost of rights to broadcast live sporting events has led to engineers designing new ways to produce a telecast with a minimum of resources. And it’s happening around the world, in HD mAI – Where Are We Now, and Where Are We Headed? Part 2
AI is much more than just a passing buzzword; it will be a crucial driver of media technology spending in 2018 and beyond as companies seek to further automate their operations and build direct relationships with consumers – as the recent string of acquisitions demonstrates. According to IABM data, most technology users p
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