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Several things are widely held to be true about HDR. Subjectively, it looks nice; most people instinctively like it. Also, it’s often described as being about higher brightness, and while that’s rather missing the point, it’s still very common to specify displays solely on the basis…
The era of dominance by video codecs from the MPEG stable is ending as rivals, especially the Alliance for Open Media (AOMedia) comprising big internet technology companies such as Google, jostle for position. …
Digital TV broadcasting technologies continue evolving, but the industry’s goals can become a moving target when demands unexpectedly change. …
A full-service, end-to-end post-production house based in London, ENVY Post Production supplies a variety of high-quality services to a growing stable of high-profile customers around the world. …
Providing copy protection and digital contents security since 2001, our advanced software development has made television and telecom systems easier to use, less costly, and more profitable for their respective owners.To date, DigiCAP products are deployed in over 50% of all the ATSC 3.0 enabled stations in the United States…
KVM-over-IP or classical KVM: what’s the better solution for my application? …
This is the second instalment of our extended article exploring the use of Microservices. …
It should constantly be borne in mind that although digital audio is a form of data, those data represent an audio waveform and there are therefore some constraints on what can and cannot be done to the data without causing audible impairment. …
New York City has been impersonated by a lot of places, from Gangs of New York (shot in Italy) to Escape From New York (Atlanta) to Wall Street story American Psycho (Toronto), and even the toponymic 42nd Street, which was mocked up in Burbank. One production that did…