Blackmagic Debut URSA Broadcast G2 With 6K Sensor November 26th 2021
The Blackmagic URSA Broadcast G2 features dual gain ISO up to +36dB, H. 265 and Blackmagic RAW file formats. …
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The Blackmagic URSA Broadcast G2 features dual gain ISO up to +36dB, H. 265 and Blackmagic RAW file formats. …
As broadcast facilities and other organizations that use media to educate and inform continue to carefully make the move to video over IP, they currently face two main options, with a range of others in the wings. They may opt for a full SMPTE ST 2110 design that leverages u…
Due to the flexibility and virtually unlimited access of the Internet Protocol, manufacturers of broadcast and production equipment have for years provided customers with the remote ability, via an HTML 5 browser interface, to monitor and control hardware devices via a smart phone, tablet or laptop. Vendors have now…
MCTV, a local US cable TV operator providing video and broadband services, has chosen France’s Broadpeak and Canadian telco equipment maker Enghouse Networks as technology suppliers for a video streaming service. …
The company’s latest Integrated Production Solution, MX Hybrid supports a mix of SDI, HDMI and IP Video sources. …
Intinor, a leading developer of products and solutions for high-quality video over Internet, has joined The RIST Forum as an associate member. RIST – Reliable Internet Stream Transport – is the proponent of an interoperable, global specification for transporting live video over unmanaged networks. …
“You need to be very predictable with the broadcast at all times. When I started doing this you had to be really careful with 5.1; there was no standardization,” he says. Indeed, for a long time, as broadcasters began to switch to HDTV across the U.S., it was not…
As the demand for high-definition coverage of live sports continues, NEP UK has worked with Imagine Communications to deliver this increased level of quality to their viewers. …
Reaching for a historic lens is an almost instinctive choice for modern cinematographers, especially those keen to transport an audience back in time. On Old Henry, cinematographer John Matysiak took a different approach to creating a realistically harsh and unforgiving world for director Potsy Ponciroli’s western. …