Our streaming intelligence brings clarity to the optimization of video and business performance. Going beyond traditional analytics, the MediaMelon SmartSight™ platform combines objective video quality and ad delivery data to reveal issues before they impact viewer experience and business outcomes. Our multi-dimensional analytics platform approach…
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While many stations (and viewers) have grown accustomed to green screen weather walls and rear-projection cubes as part of their sets, LED walls are beginning to show up in greater numbers at production studios around the world. Those old virtual sets are slowly being replaced with new displays…
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Mobile World Congress has come back as a full hybrid event with a substantial physical presence in 2022 after its absence in 2020 and skeletal form in 2021, with around 55,000 attendees in Barcelona, coupled with an even larger number of online delegates.
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The DVB Group based in Geneva has ushered in its specification for converged linear broadcast and internet video delivery around IP systems.
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With increasing regularity, digital cinema cameras like Sony’s VENICE and RED’s KOMODO cameras are making their way onto the fields of major live sporting events and into multi-camera video coverage to create a “cinematic” look that enhances the viewing experience.
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ENG and EFP cameras continue improving and adding IP features as the industry continues its transition to more remote operation.
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In digital television broadcasting, what matters is that the pictures should be displayed at the correct frame rate and lip-sync should be achieved in an isochronous system.
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Cooking has long been a popular subject for television, partly because everyone has to eat, but also because it’s the sort of programming that can, in principle, be turned out of a studio in half-hour chunks, several times a day.
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The Fourier transform is one of the most enduring and looking at the basics is a good place to start.
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