Dalet showcased its new Remote Editing framework in Las Vegas, claimed to bring the full editing capabilities and speed to editors working in the field or at remote offices without requiring a PAM/MAM at every location.
Spanish company, SGO, has raised the finishing bar with the latest update to Mistika Ultima, which is now available in a software only version.
Under the mantra, “Rethink, Reinvent, Repeat”, Avid made good on past promises, improved new systems, and showcased the new Media Composer at the Saturday NAB 2019 press conference.
GV Stratus One combines transcoding, in/out servers and EDIUS editing into an all-in-one platform addressing smaller facilities.
The platform enables facilities using Adobe to share projects and media. It is also To offering ‘integration discovery’ to mitigate the risk of any project integration.
Avid will be demonstrating how all its Maestro graphics systems can access MediaCentral content through the cloud at NAB 2019.
InSync is releasing its FrameFormer frame rate conversion plug-in for the Mac version of Adobe Premiere CC NLE, capable of serving all international video formats through software.
Migrating to a new MAM system is a major headache for organizations with large volumes of assets who can’t afford downtime. The BEIT session ‘Managing Multiple Asset Management Systems’ (Saturday, April 6 10:40am - 12:00pm Location: N260) will discuss how the Strangler software development pattern can slowly take over a legacy MAM system’s functions until nothing is left but the new system. Roger Sacilotto, Consulting Software Engineer at Avid takes us under the hood.
Pixotope takes live virtual production to a new level, and does so with single-operator software running on Microsoft’s Windows10 and off-the-shelf equipment.