Antelope Audio has introduced the Edge Go, a bus powered microphone designed to work with the company’s real-time FPGA FX emulations platform.
With digital content sources and resolutions expanding regularly, we’re going to need Artificial Intelligence to help us wrangle the data.
One of the most critical components of any studio is a large diaphragm condenser microphone. It is the centerpiece of the studio’s sound. But how do you take care of these mics? Here is a guide.
The stage box has long been a critical piece of equipment in live-event broadcasting because it provides a reliable and efficient way of getting on-stage feeds to the outside broadcast truck or TV/radio control room. This requirement remains true for IP-based networks and in response to this Lawo has launched a range of audio over IP (AoIP) stage boxes, which were shown at the recent BVE (Broadcast Video Expo) in London.
Waves Audio introduces the eMotion LV1 Live Mixing System that incorporates everything needed to create compelling live sound experiences.
Zaxcom has announced Fader Motion Capture (FMC), a feature that records the fader levels and movements made by the production sound mixer in real time into a separate file.
Today, high quality audio recording may be achieved a multitude of ways, but using a low-cost portable recorder may be one of the simplest and best for non-technical users. Here are some tips.
Focusrite has released RedNet Control 2.3, a free update that unifies RedNet Control with configuration, status monitoring, metering and extended operational control of the Red 4Pre, Red 8Pre, Red 16Line.
Auralex Acoustics has announced ten new fabric colors for it’s SonoLite acoustical panels.