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At the 2019 NAB Show, a consortium of world leading satellite operators, device manufacturers, broadcasters and service providers called The SAT>IP Alliance updated attendees on the capabilities of the SAT>IP protocol in many of its members’ exhibit booths at the NAB convention.
As the myriad of live competition television shows continue to attract new and ever larger audiences for TV networks, producing them live has become so complicated that a second technical director (TD), often called a “screens TD,” is now often being employed in concert with the lighting department’s graphics server operator and create the look of the LED video tile-intensive sets. Most stages feature literally millions of LED pixels and lighting rig configurations that adorn the brilliantly lit sets so it takes a “screens team” along with the LED tech responsible to manage the actual LED tiles.
Currently, there are over 660,000 different podcasts produced throughout the world. Over 28 million episodes are available in more than 100 languages. More than 50 percent of U.S. homes listen to podcasts regularly and most listeners average seven different shows each week. For a medium that has existed less than 25 years, those numbers are staggering.
One of the most critical components of any studio is a large diaphragm condenser microphone. It is the centerpiece of the studio’s sound. But how do you take care of these mics? Here is a guide.