Director Brett Danton has wrapped a 60-second spot for the new Jaguar F-PACE performance SUV shot on the Canon C200. Danton and DP Ashleigh Carter, opted to use Canon EOS C200 and EOS C700 Cinema cameras, a range of Canon EF and Cine lenses for the shoot, along with the
Netflix and the Australian Broadcast Corporation (ABC) have partnered to produce a new comedy series, The Letdown. The series was shot by cinematographer Judd Overton with Panasonic VariCam LT cameras, chosen for their look, especially naturalistic skin tones.
In the five months since The Broadcast Bridge published Frank Beacham’s article discussing Using the iPhone for Professional Video there have been many world events that offered ideal opportunities to cover events with smartphones rather than traditional ENG camcorders. Opportunities where the camera or camera/newscaster would have been f
NHL’s Nashville Predators are using a new JVC GY-HM200SP 4KCAM sports production camcorder to record video of home games for coaches. Designed for single-camera sports coverage, the camera produces a real-time score overlay on recorded or streamed video output without the use of an external CG or production s
Georgia State University (GSU) opened the school’s $22.5 million, world-class media center, the Creative Media Industries Institute (CMII) on October 19. Panasonic will play an integral role in CMII through the provision of a broad array of professional video and display equipment, and through the company’s sponsorship of a marquee
In these early days of 4K UHD production and for those HD projects that seek to include High Dynamic Range (HDR) acquisition to enhance the broadcast image, many production companies are finding they don’t have enough native HDR cameras to cover a standard live sports or entertainment telecast. This
Sydney based director and DP Mick Jones. was recently commissioned to shoot a large-scale and complex promo for The History Channel on Australian network, Foxtel. For almost five years Sony’s F55 has been his workhorse camera of choice, and to shoot the promo he chose his trusty Sony F55 camer
As long as there have been cameras, there have been tripods. In it’s basic form, a tripod is camera support. But, as cameras have gotten tinier in size over the past few years, tripods have morphed into new devices that would have not been recognized only a decade ago.
360-degree video is hot. Global 360-degree camera sales are expected to grow at an impressive CAGR of more than 35% through 2020. When will 360-degree news production begin? It’s happening now say some experts.
The new Apple iPhone X is an excellent video camera for news and documentary interviews. But creating a very lightweight package around it can be challenging. I took the challenge and here are the results.
On 25 May 2018, a new EU General Data Protection Regulation comes into force and will apply across all EU member states. Pending the outcome of Brexit this also includes the UK. There are potentially serious implications for drone filmmakers and in an increasingly litigious society it is probably only a matter
A quick look at the lens to display pipeline highlights some trivial-seeming bottlenecks that place important constraints on motion imaging systems. One of these is the connection to the consumer display. The announcement of HDMI 2.1 is key to advancing to 4K and beyond, with additional support for HDR, and increased