Televisão de Moçambique (Television of Mozambique) has gone on air with a robotically controlled camera configuration comprised of Shotoku’s VR-enabled flagship SmartPed robotic pedestals and an expandable 8-channel TR-XT control system.
Writer-director John Michael McDonagh and cinematographer Larry Smith, ASC, BSC faced a race against time in the face of a threatening global pandemic to capture the vibrant colours and contrasting scenes of the Moroccan landscape for the feature film The Forgiven.
With a film featuring a more mature cast, set in the world of movie memorabilia, The Sixth Reel’s Director of Photography Jendra Jarnagin immediately gravitated to vintage Cooke Speed Panchros to capture a natural look while flattering older skin.
Gravity Media and V8 Supercars recently scored an Australian broadcast first when a Bathurst 1000 race became a full live 4K production, making it the first sport in Australia to be televised at the ultra-high resolution.
The studio at Visual Three boasts a robust 4K/UltraHD HDR infrastructure equipped with a range of AJA’s powerful broadcast solutions, including the FS-HDR real-time HDR/WCG frame sync and converter, to produce pristine content for live workflows.