Director Brett Danton has wrapped a 60-second spot for the new Jaguar F-PACE performance SUV shot on the Canon C200. Danton and DP Ashleigh Carter, opted to use Canon EOS C200 and EOS C700 Cinema cameras, a range of Canon EF and Cine lenses for the shoot, along with the
Netflix and the Australian Broadcast Corporation (ABC) have partnered to produce a new comedy series, The Letdown. The series was shot by cinematographer Judd Overton with Panasonic VariCam LT cameras, chosen for their look, especially naturalistic skin tones.
In the five months since The Broadcast Bridge published Frank Beacham’s article discussing Using the iPhone for Professional Video there have been many world events that offered ideal opportunities to cover events with smartphones rather than traditional ENG camcorders. Opportunities where the camera or camera/newscaster would have been f
NHL’s Nashville Predators are using a new JVC GY-HM200SP 4KCAM sports production camcorder to record video of home games for coaches. Designed for single-camera sports coverage, the camera produces a real-time score overlay on recorded or streamed video output without the use of an external CG or production s
Apple’s iPhone has been with us for ten years now and the onboard cameras for each generation have gotten incrementally better. Some broadcasters began using iPhones to shoot video for television news several years ago. However, with the latest generation, the image quality has gotten so good that the a
Phil Arntz is a veteran DP who specializes in aerials and has produced several renowned promotional films and documentaries. He recently took to the skies with an Atomos Sumo video recorder/monitor mounted inside two helicopters to shoot London’s most famous landmarks for London Air Ambulance, a charity organization t
Canon has announced the two new portable 4K 2/3in broadcast lenses, the CJ45ex9.7B and CJ45ex13.6B. The lenses are perfect for broadcasting sport and musical events which require telephoto shooting. The CJ45ex13.6B also boasts the longest focal length in its class, ideal for use in
More pixels, more audio channels and increased complexity. Those are some of the challenges facing today’s broadcast and media engineers. In this week’s review of technology briefs, we first examine a prediction of 8K cameras being used for the 2020 Summer Olympic Games.
Then, we conclude the three-part tutorial ser
To expand beyond digital video and into live production Chinese online video company, Tencent Video, required upgrades to meet its new content creation needs. From cameras to switchers to processors, servers and more, Grass Valley, outfitted Tencent Video’s outside broadcast truck with all the IP and 4K-capable solutions the c
In the world of video production, change in data storage comes so fast it is often out of sight, out of mind. For some applications, we have switched in the past few years from hard drives to flash memory. Each new model of gear we buy — whether cameras or editing — acc