Herbert Verdino Captures Great Sound At Altitude With Bubblebee
Verdino used Bubblebee tools, including the Sidekick In-Ear Monitor, on recent film &TV projects including the second series of Der Pass.
Sound recordist Herbert Verdino made good use of Bubblebee Industries’ high quality sound tools and audio accessories during recent filming projects in the Austrian Alps.
While working on the Austrian-German TV crime drama Der Pass, Verdino had to contend with remote mountainous locations, as well as the impact of cold and wind on the audio he was capturing and his sound equipment. This was where Bubblebee products such as microphone wind protectors (The Windbubble) and concealers (The Lav Concealer) came into their own.
“Bubblebee products are incredibly well made, and I have been using them for several years now,” he says. “Reliability is so important when you are on location and, because they have such a full spectrum of products, the chances of finding something to solve a problem increases a lot.”
For the second series of Der Pass (aka Pagan Peak), which is currently screening on Sky, Verdino used Bubblebee’s virtually invisible Sidekick In-Ear IFB monitors. These communications earpieces feature a unique micro driver that fits comfortably and invisibly into the ear canal, removing the need for an acoustic tube outside the ear and providing a good alternative to earwigs. Because they are so small and lightweight, they can also be worn comfortably for hours on end.
“Sidekick IFB monitors are absolutely great and have become one of the mainstays of my sound kit,” Verdino says. “They are very discreet, and the Sidekick 3 can be easily switched from left to right ear to accommodate different camera positions. During shooting for Der Pass my boom OP and script loved the Sidekick because its sound quality was so good for such a light and tiny earpiece.”
You might also like...
NDI For Broadcast: Part 1 – What Is NDI?
This is the first of a series of three articles which examine and discuss NDI and its place in broadcast infrastructure.
Brazil Adopts ATSC 3.0 For NextGen TV Physical Layer
The decision by Brazil’s SBTVD Forum to recommend ATSC 3.0 as the physical layer of its TV 3.0 standard after field testing is a particular blow to Japan’s ISDB-T, because that was the incumbent digital terrestrial platform in the country. C…
Designing IP Broadcast Systems: System Monitoring
Monitoring is at the core of any broadcast facility, but as IP continues to play a more important role, the need to progress beyond video and audio signal monitoring is becoming increasingly important.
Broadcasting Innovations At Paris 2024 Olympic Games
France Télévisions was the standout video service performer at the 2024 Paris Summer Olympics, with a collection of technical deployments that secured the EBU’s Excellence in Media Award for innovations enabled by application of cloud-based IP production.
HDR & WCG For Broadcast - Expanding Acquisition Capabilities With HDR & WCG
HDR & WCG do present new requirements for vision engineers, but the fundamental principles described here remain familiar and easily manageable.