Italy’s Mediaset Transitions To IP With SSL System T Platforms

Mediaset has taken delivery of eight Solid State Logic System T networked broadcast production platforms comprising S500 control surfaces in a variety of frame sizes from 32 to 64 faders, all powered by SSL Tempest T80 engines, and has started installing them in its studios and OB trucks.

All of the installed System T consoles are being used to broadcast live entertainment, talk shows and other entertainment from Mediaset’s studios and external venues. Mediaset has two broadcast centres in Rome and a third in Milan. To date, two System T S500 consoles have been installed in Mediaset’s studios and four S500 mobile control surfaces in a pair of OB trucks. The remaining two S500 systems are scheduled to be installed later this year in a building currently under construction.

According to Giovanni Blasi, head of Milan-based Cablateam Srl, SSL’s reseller in Italy, “For the time being, all of the studio consoles are operating in standalone mode. But by the end of 2021, all three Mediaset broadcast centres will be networked and the System T consoles will be able to work together as if they are all in the same place.”

Cablateam also supplied extensive SSL I/O options with the consoles, including SB 8.8, SDI IF, D64 AES I/O, A 16.D16 and MADI bridge units, as well as third-party interfaces from Focusrite and Ferrofish, that will enable the System T platforms to be networked with the broadcast plant and each other via Dante. Already, Blasi says, the installed S500 systems can access the cameras, recorders, intercoms and telephone system that are on the studio IP network.

Blasi reports that Mediaset’s broadcast engineers love the operational flexibility of SSL’s System T console. “They particularly like the Query function for fast access to a restricted number of channels, Automix on every channel and the flexible mix-minus functionality,” he says. “All of the engineers are amazed by the sound quality. They say that the EQ and dynamics are the best they have used and sound like analogue.”

The engineers also enjoy the ability to make channel strip and channel configurations changes without the need to restart the system, System T’s internal FX rack, event control and the configurable meter bridge, Blasi also reports, and the presets help them with fast recall of frequently used setups. “Once they got familiar with all the operating features they found System T very easy to use. They can do things which were nearly impossible to do with other console without very heavy routing processes,” he says. 

You might also like...

Designing IP Broadcast Systems: Integrating Cloud Infrastructure

Connecting on-prem broadcast infrastructures to the public cloud leads to a hybrid system which requires reliable secure high value media exchange and delivery.

Production Control Room Tools At NAB 2024

As we approach the 2024 NAB Show we discuss the increasing demands placed on production control rooms and their crew, and the technologies coming to market in this key area of live broadcast production.

Designing IP Broadcast Systems: Where Broadcast Meets IT

Broadcast and IT engineers have historically approached their professions from two different places, but as technology is more reliable, they are moving closer.

Audio At NAB 2024

The 2024 NAB Show will see the big names in audio production embrace and help to drive forward the next generation of software centric distributed production workflows and join the ‘cloud’ revolution. Exciting times for broadcast audio.

SD/HD/UHD & SDR/HDR Video Workflows At NAB 2024

Here is our run down of some of the technology at the 2024 NAB Show that eases the burden of achieving effective workflows that simultaneously support multiple production and delivery video formats.