Stephen Arnold Music Creates Sonic Identity For Nexstar’s NewsNation Nightly Lineup

Stephen Arnold Music is supporting the rebrand of Nexstar Media Group’s cable network WGN America as NewsNation with sonic branding and custom music inspired by the network’s commitment to delivering “fact-based news” to viewers hungry for unbiased media.

Working in tandem with Jonathan Killian, the network’s Vice President, Creative Marketing and Brand Communications, the studio created custom music packages for NewsNation’s expanded lineup, which includes NewsNation Early Edition with Nichole Berlie, NewsNation Prime with Marni Hughes, Rob Nelson and Albert Ramon, The Donlon Report, and the one-hour interview show Banfield.

The music for NewsNation Early Edition with Nichole Berlie, airing daily at 6-7pm ET, and NewsNation Prime with Marni Hughes, Rob Nelson and Albert Ramon, airing 8-10 p.m. ET, builds on the distinctive theme music Stephen Arnold Music created for the network’s original primetime news broadcast, which launched last fall. The stirring themes evoke the network’s midwestern roots and centrist values.

For The Donlon Report and Banfield, the studio created original themes that support the unique content, format, and distinctive host personality of each show. “The theme for The Donlon Report has depth and weight to fit the common sense views and insight of veteran anchor Joe Donlon,” says Stephen Arnold Music VP/Creative Director Chad Cook. “It’s a rich, engaging sound that works with a wide range of subjects from politics to pop culture, while complementing the network’s overall brand.”

The theme for Banfield, meanwhile, taps into that show’s lively talk format and eclectic mix of guests, as well as the vibrant personality of its host, acclaimed journalist Ashleigh Banfield. “It’s contemporary, energetic and has a late-night feel,” notes Cook. “It draws you in right away with a strong melodic signature and spirited groove.”

Cook adds that Killian had a clear vision for how to present each show, and how to use music to enhance their brands. “Jonathan wanted the music to be versatile, to have broad, mainstream appeal, and accurately mirror show content,” Cook says. “We explored various styles, pacing and instrumentation before arriving at musical signatures that work seamlessly with the visuals and communicate the essence of each show.”

You might also like...

Why AI Won’t Roll Out In Broadcasting As Quickly As You’d Think

We’ve all witnessed its phenomenal growth recently. The question is: how do we manage the process of adopting and adjusting to AI in the broadcasting industry? This article is more about our approach than specific examples of AI integration;…

Designing IP Broadcast Systems: Integrating Cloud Infrastructure

Connecting on-prem broadcast infrastructures to the public cloud leads to a hybrid system which requires reliable secure high value media exchange and delivery.

Production Control Room Tools At NAB 2024

As we approach the 2024 NAB Show we discuss the increasing demands placed on production control rooms and their crew, and the technologies coming to market in this key area of live broadcast production.

Designing IP Broadcast Systems: Where Broadcast Meets IT

Broadcast and IT engineers have historically approached their professions from two different places, but as technology is more reliable, they are moving closer.

Audio At NAB 2024

The 2024 NAB Show will see the big names in audio production embrace and help to drive forward the next generation of software centric distributed production workflows and join the ‘cloud’ revolution. Exciting times for broadcast audio.