Essential Guide: Advertising, Regionalization & Personalization

June 9th 2020 - 09:00 AM
Tony Orme, Editor at The Broadcast Bridge

Technical advances in regionalization and personalization for Ad insertion are helping broadcasters leverage revenues from OTT and VOD. Improved granularity in distribution facilitates refined targeting of advertising giving broadcasters and advertisers unprecedented access to discerning viewers.

Adaptive Bit Rate models offer major advantages over traditional SDI infrastructures as there is generally no need to return the video and audio to baseband before inserting the localized Ad break. Instead, IP transport streams facilitate switching in the IP domain enabling the quality of the pictures and sound to be maintained, thus maintaining the viewers quality of experience.

Synchronizing schedules with splice timing is essential for Ad Insertion, especially for live sports events where the program may over or under run. Not only do we now need to consider the video and audio, but we must understand how we manipulate the manifest files to enable seamless switching.

This Essential Guide, written by guest author Tony Jones, Principal Technologist at MediaKind, describes how ABR Ad insertion works. He discusses the general principles as well as digging deep into the manipulation of IP streams and manifest files.

Download this Essential Guide today if you are an engineer, technologist, their manager, or somebody who needs to understand dynamic Ad insertion to achieve advertising regionalization and personalization.

Supported by

You might also like...

Core Insights - Improving Headset Comms At Extreme Events

Without intercom, a live broadcast production would soon degenerate into chaos. A whole industry has been built on the protocols intercom users have adopted and everybody involved in the production must be able to hear the director’s instructions, clearly a…

Timing: Part 2 - The Birth Of Video Recording

The peculiarities of the motion of planet Earth are responsible for much more than seasons and the midnight sun and it took a while before it was all figured out.

Microphones: Part 1 - Introduction

In this new series John Watkinson looks at all aspects of microphones, including how they work and how they don’t work.

Practical High Dynamic Range (HDR) Broadcast Workflows - Part 2

There is a school of thought that suggests increasing the brightness through the contrast control on a television will give a higher dynamic range. However, this doesn’t necessarily increase the contrast ratio. Quantization noise is the enemy of dynamic r…

Practical High Dynamic Range (HDR) Broadcast Workflows - Part 1

HDR is taking the broadcasting world by storm. The combination of a greater dynamic range and wider color gamut is delivering images that truly bring the immersive experience to home viewers. Vibrant colors and detailed specular highlights build a kind…