
Essential Guide: Practical High Dynamic Range Broadcast Workflows
January 8th 2020 - 09:00 AM
HDR is taking the broadcasting world by storm. The combination of a greater dynamic range and wider color gamut is delivering images that truly bring the immersive experience to home viewers. Vibrant colors and detailed specular highlights build a kind of realism into broadcast productions that our predecessors could only have ever dreamed of.
This Essential Guide addresses HDR from the perspective of the HVS (Human Visual System) and discusses what makes HDR so immersive. From a technical viewpoint it explains why HDR is having such a massive positive impact on the industry. And from a creative angle it explains the intricacies of monitoring for any program maker looking to deliver the visual edge.
To completely understand how we can leverage the benefits of HDR we must look deep into the HVS to gain insight into exactly what we’re trying to achieve. At first this may seem obvious as we want to improve the immersive experience, but television, like all things engineering, is a compromise. Consequently, understanding the trade-offs between what we can achieve and what is required is critical to delivering the immersive experience.
Scene referred and display referred systems are considered in detail with real examples of screen brightness and how this effects the viewer. HLG and PQ are discussed along with their respective applications.
Providing practical insight, sponsors Telestream discuss how HDR workflows are addressed in broadcast workflows through real-life examples. Due to the differing screen brightness, comparing SDR and HDR images may not be as straightforward as it may first seem but Telestream demonstrate their working solution to address this.
Download this Essential Guide today if you are an engineer looking to understand and build HDR workflows or are a creative and need to get the best out of HDR.
Supported by
You might also like...
Streaming Delivery At NAB 2025
Hybrid workflows combining cloud and on-premise systems, and application of AI for personalization, are major streaming themes for NAB 2025. There is an even stronger focus on remote production than at previous shows, especially for live sports. Security of live streams…
Channel Creation & Playout At NAB 2025
Playout is moving to the public cloud as broadcasters take this next step in their strategies for master control, even as some analytics functions are being drawn back towards on premise systems. This will be reflected by the offerings and…
Mobile Codecs: The Battle Of The Codecs Continues But AI May Disrupt The Field
The continued proliferation of streaming video consumption on mobile devices and especially smartphones has boosted activity around mobile codecs with new releases of VVC and AV2 slated in the next 2 years. At the same time, Generative AI is disrupting the…
BEITC At NAB 2025: Conference Sessions Preview - Part 2
Once again in 2025 The Broadcast Bridge is proud to be the sole media partner for the BEIT Conference Sessions at NAB. They are not free, but the conference sessions are a unique opportunity to engage with very high quality in-person…
Microphones: Part 8 - Audio Vectorscopes
The audio vectorscope is an excellent tool for assuring quality in stereo sound production, because it makes the virtual sound image visible in the same way that a television vectorscope allows the color signals to be seen.