Digital sub-channels have allowed TV stations to utilize their allotted spectrum to create ways that also generate revenue. Cobalt Digital is working with major station groups and content originators to help them grow their channel ambitions with its line of signal processors.
From an 8K switcher to a new 4.6K camera, you could hardly get through the packed Blackmagic Design exhibit to see its most talked about excitement, the new DaVinci Resolve 16.
Artmotion began cable-TV delivery in 2011, operating in partnership with content providers such as NBC Universal, Paramount, Sony, Viacom and Warner Brothers and provides internet services via optical fiber, coaxial and microwave networks throughout Kosovo.
While the emerging concepts of remote processing and storage and “At-Home” production might be new to some, the team at Pac-12 Networks, the sports media production arm of the collegiate Pac-12 Conference, has been doing it—and refining their IT-centric workflows—for years. When you are tasked with supplying content across
Imagine Communications has implemented a new multichannel playout center for Alpha TV in Athens, Greece. The new installation gives Alpha TV the ability to meet its viewers’ demand for HD on all channels, and builds a platform for future growth plans. It also ensures business continuity by providing full redundancy, e
TV Azteca continues to grow in terms of the number of programming hours they produce, as well as by expanding to create content for OTT and other digital platforms. With plans to make a gradual transition to IP distribution, cloud-based operations and 4K UHD, the company was looking to replace
At the recent IBC Show in Amsterdam, it was clear that when discussing the design and deployment of next generation video production and distribution infrastructures, manufacturers of the technology and processes required are now using significantly different technical terms. Now, familiar words like “encoding”, “playout” and “software defined networks’ are being repla
