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Professionals working in live entertainment, sports and news are challenged with capturing, preparing and distributing content in the fastest, most efficient way possible. They also must handle the explosion of new content formats and rising media standards like 4K. Implementing an effective media asset management (MAM) platform that can handle new technologies and benefits the entire production chain has become critical.
Europe’s TV standards body DVB has taken a further step towards Ultra HD TV (UHD) commercial deployment by approving UHD-1 Phase 2 at a recent meeting of its Steering Board. This second phase of the UHD commercial requirements adds support for HDR (High Dynamic Range) and Higher Frame Rate (HFR).
ATSC 3.0 and UHD are on a collision course with the set makers and retailers pushing UHD. But broadcasting UHD in ATSC 3.0 could require the bandwidth many stations now use to generate additional revenue over their sub channels. Add to that, OTA broadcasters face the upcoming questions surrounding the spectrum auction—to play or not? These issues present serious business and technical questions, at least, to US TV broadcasters.
This holiday season will see a buying frenzy of UHD-4K televisions. But, where is the content for these high-rez screens?
In this Part 2 of the series, the author reviews best practices and tools needed to measure consumer’s QoE.
It is all very well being able to quantify the volume of a signal, however, what is important is how loud it is perceived to be.
Europe needs a unified approach to regulating hybrid mobile services combining satellite and ground based components, according to a recent white paper from satellite fleet owner and services provider EchoStar. The key issue is wide variation between some European Union (EU) member states over licensing regimes covering the complementary ground component (CGC) operating in the same frequencies as S-band Mobile Satellite Services (MSS) within common hybrid services.
The NASA TV channel, partially owned and powered by the latest compression technology from Harmonic and featuring programming captured and distributed in pristine UHD (2160p60) resolution, has become the first such channel available to consumers in North America. Only those with UHD-compatible televisions can view the full beauty of the breathtaking images from outer space.
