Flowics Graphics says it supports the GV Media Universe Alliance to add broadcast-quality HTML5 cloud-based graphics to live productions.
Entertainment over the internet has gained significant traction over the last years. For this reason, companies have developed new business models in order to retain customers, by meeting their emerging needs and studying the behavior patterns of online streaming consumption.
IP monitoring differs from SDI and AES due to the abstraction of the video, audio and metadata essence leading to new methods of measuring and monitoring levels and timing.
Kaltura, a New York based developer of online video technology, is providing an end-to-end multiscreen streaming platform for thematic channel producer Dreamia.
Swiss private radio stations “Radio 24” and “Virgin Radio Switzerland”, owned by CH Media, have become the first stations to install Lawo’s newly introduced diamond radio consoles.
As the pandemic pushes remote technologies to the fore, cloud production is undergoing a baptism of fire. The move towards cloud-based production environments has been rapidly accelerated by the pandemic forcing the video ecosystem to quickly shift to a new way of working, using cloud-based production techniques to solve the physical separation of their workforce.
In response to the FCC mandate that the lower six C-band transponders can no longer be used to land traffic in the U.S., PSSI Global Services is installing filters on all of its C-band transmission vehicles in order to mitigate interference from the incursion of 5G wireless transmitters.
If 2020 was considered a disruptive one for the television production community, 2021 was a year where trial and error and the lessons learned became real-world REMI deployments to keep live sports and entertainment content on the air. Production studios too learned to adapt with fewer crew allowed inside and social distancing becoming the new normal.
