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Immersive Audio 2026 – The Book January 14th 2026

Immersive audio has always been about transporting the listener to another world, and in today’s fragmented, non-linear and competitive media landscape, it’s more valuable than ever. …

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RTVE Selects Alfalite NEOPIX For Its First Broadcast Deployment January 13th 2026

Spain’s national public broadcaster, RTVE, has upgraded one of its main television production facilities in Madrid with the installation of two Alfalite NEOPIX 1.5 MATIX AlfaCOB LED screens, marking the first-ever deployment of NEOPIX technology in a broadcast environment. …

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Outputting To Social Media: Avoiding The Pitfalls Of Content Preparation January 13th 2026

While less demanding than professional broadcast standards, streaming platforms still have strict technical standards that need to be adhered to avoid rejection during automated transcoding processes. …

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Secuoya Chile Invests In Ikegami UHK-X600 And UHL-X40 Cameras January 12th 2026

Secuoya Chile, a leading provider of television content creation and supporting services, has invested in Ikegami UHK-X600 and UHL-X40 broadcast cameras as the core of a major upgrade to the facilities at its headquarters in the Providencia district of Santiago City. …

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Pushing The Boundaries Of Sports Monetization: Part 1 - The Interactive Rights Revolution January 12th 2026

Interactive Rights are creating a new frontier in the media industry and promise to deliver more value not only for viewers, but for content owners, brands, and all other stakeholders. This collection of articles explores what technology and business models are required, and describes how the adoption of…

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Pebble Future-Proofs Playout At Canal Sur January 9th 2026

Pebble has provided a complete update of its installation at Canal Sur in Spain. The new system, based on highly resilient, software-defined Pebble Integrated Channel engines, replaces an existing Pebble automation system in place since 2011. …

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Pushing The Limits: Cinematographer Seamus McGarvey On Shooting ‘Die My Love’ January 9th 2026

When cinematographer Seamus McGarvey reunited with director Lynne Ramsay for Die My Love, their thirty-year friendship gave him the freedom to take bold risks – including shooting on stock rarely used in modern feature production. …

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Big Chip Cameras For Broadcast: Part 3 - Broadcast-Specific Tools January 7th 2026

Advances in large sensor technology have been turning the eyes of broadcasters looking to achieve a more cinematic look in live and studio productions for years. …

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Outputting To Social Media: Choosing The Right Platform For Your Content January 6th 2026

Not all streaming and social platforms are built the same. We look at how we got here and what the differences are when uploading video content to streaming platforms and social media services. …

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