Thoroughbred Racing Productions (TRP), a leading provider of production services for the Australian thoroughbred horse racing industry, recently purchased some high quality FUJINON 4K lenses for their new OB fleet.
MKTG Sports + Entertainment, a global integrated agency who operate the MCG Scoreboard Control as part of the commercial rights agreement to deliver the AFL, are contractually obliged to produce in-venue coverage of AFL matches for the two big screens separate from the broadcast coverage.
Season 4 of Star Trek: Discovery will bring viewers further into the story than previous seasons, as lead Director of Photography Philip Lanyon adds shooting in full frame to his creative look with Cooke Optics (1.8x) Anamorphic/i Full Frame Plus SF (Special Flare) prime lenses, to supplement the (2x) Anamorphic…
Reaching for a historic lens is an almost instinctive choice for modern cinematographers, especially those keen to transport an audience back in time. On Old Henry, cinematographer John Matysiak took a different approach to creating a realistically harsh and unforgiving world for director Potsy Ponciroli’s western.
Writer-director John Michael McDonagh and cinematographer Larry Smith, ASC, BSC faced a race against time in the face of a threatening global pandemic to capture the vibrant colours and contrasting scenes of the Moroccan landscape for the feature film The Forgiven.
With a film featuring a more mature cast, set in the world of movie memorabilia, The Sixth Reel’s Director of Photography Jendra Jarnagin immediately gravitated to vintage Cooke Speed Panchros to capture a natural look while flattering older skin.
Gravity Media and V8 Supercars recently scored an Australian broadcast first when a Bathurst 1000 race became a full live 4K production, making it the first sport in Australia to be televised at the ultra-high resolution.
Independent feature film “Down with the King” was shot with Blackmagic Pocket Cinema Camera 6K digital film cameras, relying on their dual native ISO to capture the majority of the film only using natural light.
Long-time LiveU user and UK-based production company Over Exposed, turned to LiveU once again to create dynamic, viewer-engaging and highly cost-effective, 5G remote production coverage of the recent, iconic Vitality London 10K run.
Volleyball World, creators of an integrated ecosystem connecting all volleyball stakeholders (fans, athletes, corporate partners) together through both digital and live events, has turned to LiveU to bring cost-effective coverage of its global beach volleyball tournaments to viewers around the world across 2022.