Calrec Showcase An Expanded Suite Of Interconnected Technologies At NAB 2025
Calrec expands ecosystem at NAB 2025 giving broadcasters access to dynamic workflows and ultimate flexibility.
As the adoption of sustainable and cost-effective remote and distributed production workflows continues to develop, the ability to control any system from anywhere creates an incredibly agile way to work. Providing access to more cores, more faders, more surfaces, and more control from any location gives users ultimate flexibility delivering content to air. To help broadcasters take full advantage of these workflows, Calrec will demonstrate a mix of new products, expanded feature sets and distributed control.
NAB Las Vegas Debuts on Calrec’s Booth:
True Control 2.0 – taking remote production to a whole new level
Creating more flexible workflow combinations, True Control 2.0 is making its NAB debut. Calrec’s 2nd generation remote production technology, True Control 2.0 is an adaptive IP ecosystem that enables broadcasters to embrace distributed production, minimise costs and scale resources on the fly.
With the ability to control up to five Calrec devices simultaneously, True Control 2.0 now encompasses every product across Calrec’s entire IP-native range. At NAB it adds control of Calrec’s Apollo+ and Artemis+ consoles to the Argo Q, Argo S, Argo M, Type R, ImPulse, Impulse 1, and ImPulseV mixing engines.
Argo M and ImPulseV – premium audio quality
As part of Calrec’s enhanced True Control 2.0 ecosystem, Argo M and ImPulse V also make their full NAB debuts in Las Vegas.
Argo M is an ultra-compact IP broadcast audio console with built-in DSP, I/O and GPIO. Built on the same technology as Calrec’s established Argo platform, Argo M is a 24- or 36-fader plug-and-play broadcast audio console with up to 356 channels of internal DSP out of the box. With the ability to connect to an ST2110 networked environment and to existing ImPulse cores, it can quickly create multi-console IP environments and add additional external DSP paths as production demands grow.
ImpulseV is a cloud-based audio mixing engine that provides virtualised Calrec DSP in a cloud-native AWS environment. It can be used to augment an existing workflow with additional processing, mix in parallel with cloud-based playout to deliver a single transmission mix, or provide access to a virtualised mixer alongside existing technologies. Optimised for low latency throughput, ImPulseV provides real-time responsive, efficient and deterministic audio processing, control, routing and mixing. It can be controlled via any True Control 2.0 enabled controller.
Type R - software update and new boosters
Calrec also debuts a Type R software upgrade focused on radio users at NAB. New features include off-air record functionality to easily record off-air content without affecting the on-air mix; enhanced GPIO control over talkback; user labels for Mix Minus buses; and a large 120 channel path DSP pack option with 32 auxes.
Meanwhile, a new aux booster upgrade is also available on ImPulse and ImPulse1 DSP cores, and on all three Argo consoles. Calrec is also debuting MIDI control across the entire Argo platform to support DAW control.
Argo Q and Argo S
Following several high-profile installations, including Raycom Sports, Calrec will demonstrate its Argo Q and Argo S audio mixing consoles at the show. Raycom Sports recently upgraded its flagship HD1 unit with a 60-fader Calrec Argo S console and a pair of redundant ImPulse1 DSP cores.
Every one of Calrec’s NAB updates is designed to complement each other and the ability to work with Calrec’s True Control 2.0 infrastructure only extends these levels of flexibility.
You might also like...
The Changing Face Of Live Sports: Part 1 - The Rise Of Nimble Production
Live sports broadcasting has always been the preserve of big leagues and big broadcasters with the infrastructure, the clout and the resources to match. But it is no longer the only game in town.
Virtual Production For Broadcast: The Magic Of Subframe Technology
Subframe technology solves a fundamental challenge in virtual production, enabling LED video walls to display different images to multiple cameras at the same time. This allows each camera in a multi-camera setup to see its own perspective-correct background on a…
Standards: Audio - High Efficiency Audio Codecs (HE-AAC)
HE-AAC builds on the foundations of AAC to deliver near CD-quality audio at bitrates as low as 32 kbps, making it the codec of choice for mobile TV, digital radio and low-bandwidth streaming. This guide unpacks the key technologies behind its…
IP Security For Broadcasters 2026 – The Psychology Of Security
As engineers and technologists, it’s easy to become bogged down in the technical solutions that maintain high levels of computer security. But as the boundaries between traditional broadcast engineering and IT continue to dissolve, the first port of call i…
Standards: Audio - Advanced Audio Coding (AAC)
AAC succeeded MP3 by delivering better quality at lower bitrates. This guide examines how it works, compares the leading encoder implementations, and explains where it sits within the broader MPEG audio standards landscape.