Netflix Chooses Sennheiser’s AMBEO 2-Channel Spatial Audio For Its Enhanced Premium Plan
Netflix spatial audio powered by Sennheiser.
Netflix has announced a series of brand-new features for members on its Premium plan, including Netflix spatial audio. Starting today, members on Netflix’s Premium plan using a stereo system will experience immersive cinematic audio on more than 700 top titles – all on their existing hardware. Netflix spatial audio is powered by Sennheiser’s AMBEO 2-Channel Spatial Audio technology.
Developed in partnership with Netflix, this Sennheiser technology delivers an unrivalled immersive experience over stereo speakers while fully respecting the creative intent of the original surround or immersive mix. Netflix members do not need any additional hardware to experience this new benefit.
Renato Pellegrini, Manager Pro Labs, AMBEO Immersive Audio: “We are very pleased that Netflix has expanded its partnership with Sennheiser and has chosen to roll out our game-changing AMBEO 2-Channel Spatial Audio experience to more of its catalog.”
New Surround to 2-Channel Rendering
In addition to content mixed for Dolby Atmos, Netflix’s spatial audio catalog will also include non-Atmos surround content. “As a brand-new feature, the AMBEO 2-Channel Spatial Audio renderer is now also able to process surround mixes, unlocking huge catalogs of content available in these formats,” shares Pellegrini. “For members on Netflix’s Premium plan, this means they will be able to enjoy more of their favorite content immersively, however they watch.”
Respectful Rendering
As a company that counts many mix and (re-)recording engineers among its customers, Sennheiser takes audio quality and mixer intent seriously. AMBEO 2-Channel Spatial Audio rendering was created hand-in-hand with mixers and provides them with granular control of the amount of spatialization.
A preview tool allows mixers to compare standard stereo to AMBEO and adjust rendering settings by individual stems or groups. Specific stems, such as dialog, can be completely excluded from spatialization and music mixes can be kept on their left and right channels while immersive rendering is applied to any other stems. The renderer seeks to translate mixer intent while giving an impressive immersive audio experience previously inaccessible on two speakers.
You might also like...
Microphones: Part 2 - Design Principles
Successful microphones have been built working on a number of different principles. Those ideas will be looked at here.
Expanding Display Capabilities And The Quest For HDR & WCG
Broadcast image production is intrinsically linked to consumer displays and their capacity to reproduce High Dynamic Range and a Wide Color Gamut.
NDI For Broadcast: Part 2 – The NDI Tool Kit
This second part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to exploring the NDI Tools and what they now offer broadcasters.
HDR & WCG For Broadcast: Part 2 - The Production Challenges Of HDR & WCG
Welcome to Part 2 of ‘HDR & WCG For Broadcast’ - a major 10 article exploration of the science and practical applications of all aspects of High Dynamic Range and Wide Color Gamut for broadcast production. Part 2 discusses expanding display capabilities and…
Great Things Happen When We Learn To Work Together
Why doesn’t everything “just work together”? And how much better would it be if it did? This is an in-depth look at the issues around why production and broadcast systems typically don’t work together and how we can change …