Netflix Chooses Sennheiser’s AMBEO 2-Channel Spatial Audio For Its Enhanced Premium Plan

Netflix has announced a series of brand-new features for members on its Premium plan, including Netflix spatial audio. Starting today, members on Netflix’s Premium plan using a stereo system will experience immersive cinematic audio on more than 700 top titles – all on their existing hardware. Netflix spatial audio is powered by Sennheiser’s AMBEO 2-Channel Spatial Audio technology.

Developed in partnership with Netflix, this Sennheiser technology delivers an unrivalled immersive experience over stereo speakers while fully respecting the creative intent of the original surround or immersive mix. Netflix members do not need any additional hardware to experience this new benefit.

Renato Pellegrini, Manager Pro Labs, AMBEO Immersive Audio: “We are very pleased that Netflix has expanded its partnership with Sennheiser and has chosen to roll out our game-changing AMBEO 2-Channel Spatial Audio experience to more of its catalog.”

New Surround to 2-Channel Rendering
In addition to content mixed for Dolby Atmos, Netflix’s spatial audio catalog will also include non-Atmos surround content. “As a brand-new feature, the AMBEO 2-Channel Spatial Audio renderer is now also able to process surround mixes, unlocking huge catalogs of content available in these formats,” shares Pellegrini. “For members on Netflix’s Premium plan, this means they will be able to enjoy more of their favorite content immersively, however they watch.”

Respectful Rendering
As a company that counts many mix and (re-)recording engineers among its customers, Sennheiser takes audio quality and mixer intent seriously. AMBEO 2-Channel Spatial Audio rendering was created hand-in-hand with mixers and provides them with granular control of the amount of spatialization.

A preview tool allows mixers to compare standard stereo to AMBEO and adjust rendering settings by individual stems or groups. Specific stems, such as dialog, can be completely excluded from spatialization and music mixes can be kept on their left and right channels while immersive rendering is applied to any other stems. The renderer seeks to translate mixer intent while giving an impressive immersive audio experience previously inaccessible on two speakers.

You might also like...

Production Control Room Tools At NAB 2024

As we approach the 2024 NAB Show we discuss the increasing demands placed on production control rooms and their crew, and the technologies coming to market in this key area of live broadcast production.

Designing IP Broadcast Systems: Where Broadcast Meets IT

Broadcast and IT engineers have historically approached their professions from two different places, but as technology is more reliable, they are moving closer.

Audio At NAB 2024

The 2024 NAB Show will see the big names in audio production embrace and help to drive forward the next generation of software centric distributed production workflows and join the ‘cloud’ revolution. Exciting times for broadcast audio.

SD/HD/UHD & SDR/HDR Video Workflows At NAB 2024

Here is our run down of some of the technology at the 2024 NAB Show that eases the burden of achieving effective workflows that simultaneously support multiple production and delivery video formats.

Standards: Part 7 - ST 2110 - A Review Of The Current Standard

Of all of the broadcast standards it is perhaps SMPTE ST 2110 which has had the greatest impact on production & distribution infrastructure in recent years, but much has changed since it’s 2017 release.