Bollywood Star Deploys KRK Studio Monitors

Esani Dey embarked on her professional music career at just seven years old, and first started using KRK studio monitors in 2011 after being gifted a pair of ROKIT 5 G3s, which she has deployed for all of her work ever since.

Dey is one of India’s youngest guitar sensations, and is best known for her music composition for various Bollywood films including Bala, Houseful 4, Hichki, Yeh Saali Aashiqui, PM Narendra Modi and many more, as well as her role in MTV’s Unplugged for three seasons strong.

Spending countless hours in recording studios from a very young age, Dey is accustomed to the quality of top-performing studio gear. “The depth and balance of KRK studio monitors is amazing,” says Dey. “I’ve used many other brands in studios throughout my career, and for my needs as a guitarist, KRKs are a perfect choice. The tweeter provides the best clarity possible, and the outcome is extremely clean, with a very tight low-end. KRKs are definitely the best studio monitors available at their price point.”

Having been using her ROKIT 5s for the past decade, KRK has proven to surpass the test of time for Dey, having remained strong and true to their sound. In addition to deploying KRKs for all of her home-studio productions, Dey recently turned to her ROKIT 5s to record two new singles, “Mistake” and “Jam5” as well as the song “Murshida” for the 2017 Indian drama film Begum-Jaan.

Although she plans to keep her ROKIT 5s close-to-home for many more years to come, Dey looks forward to upgrading to a new pair of KRKs in the future. “I’ve been seeing more and more KRK monitors pop up in studios around the world, and I totally understand why. The sound quality just can’t be beat and I’m excited to upgrade my KRKs in the near future!”

You might also like...

Essential Guide: Cloud Workflow Intelligent Optimization

Optimization gained from transitioning to the cloud isn’t just about saving money, it also embraces improving reliability, enhancing agility and responsiveness, and providing better visibility into overall operations.

Flexible IP Monitoring - Part 1

Video, audio and metadata monitoring in the IP domain requires different parameter checking than is typically available from the mainstream monitoring tools found in IT. The contents of the data payload is less predictable and packet distribution more tightly defined…

Creative Audio - Moving To Broadcast With Doug Deems

Doug Deems had 25 years of experience under his belt as a monitor engineer, touring the world with some of the biggest music artists in the U.S., when he became a live broadcast sports A1. “I’m surprised there aren’t mor…

Software IP Enabling Storytelling - Part 2

In the previous article in this two-part series we looked at how cloud systems are empowering storytellers to convey their message and communicate with viewers. In this article we investigate further the advantages for production and creative teams.

Integrating NDI And ST 2110 For Internet Streaming

The focus of much of the latest broadcast TV R&D is the Remote Integration Model (REMI). From millions of Skype meetings over consumer ISPs to the recent Winter Olympics TV broadcasts, REMI is significantly changing the internal dynamics…