How Viewers Find Content

Since 2012, the number of original scripted shows introduced each year has been increasing at a dizzying pace. Past studies have found that most consumers are happy with this embarrassment of riches, saying they spend more of their time than ever before watching shows they “really like”.

But is it possible to have too much of a good thing and do viewers even know where to start?

These questions made it more important than ever to understand (1) how consumers decide what to view, and (2) how to make sure content cuts through the clutter, so shows have a chance to even be considered. Hub Entertainment Research embarked on a study in October 2017 called Conquering Content. The goal was to find out why viewers discover and choose some content over others.

Hub conducted an online survey among 2,214 U.S. consumers age 16-74 who have broadband access at home and watch a minimum of 5 hours of TV per week. The survey yielded the following findings:

Online has overtaken pay TV as the home of favorite shows: For the first time, more people say they watch their favorite show on an online platform than through a pay TV source. See Figure 1.

Diffusion of content continues to reduce the impact of network brands: About 40% of respondents say network brands are not a big factor in which shows they watch and almost a quarter give it the lowest possible importance ranking.

Pay TV show discovery is driven by advertising, but online shows are spread by word of mouth: Those watching an online show are more likely to have heard about it from another person as opposed to through advertising.

We are approaching subscription saturation: Consumers are managing more subscriptions than ever before, so new services will need to offer compelling content that isn’t available anywhere else.

The past five years have seen the TV landscape change significantly - with ever expanding viewing options, a full pipeline of new content and a fractured system for discovery. As technology and viewing behavior evolve we will see platform consolidation, a niche and genre content focus and a drastic change in bundling of channels and services.

You might also like...

Standards: Video - High Efficiency Video Coding (HEVC)

Designed to halve the bitrate of AVC while supporting resolutions up to 16K, HEVC represents a significant leap in video coding efficiency. This guide explores its profiles, tiers and levels, and examines whether it can overcome the challenges of entrenched…

Discoverability And Findability: Part 1 – Services Of General Interest In The Streaming Age

In this first of two parts on content discoverability and findability we discuss the underlying issues and challenges facing broadcasters as they strive to stay relevant in an era of mass streaming and AI-based search. The second part will then…

Production–Delivery Convergence: Part 6 - Designing Experiences That Viewers Trust

Performance reliability is an invisible contract between a streaming service and its customer, and it is fundamental to guaranteeing viewer retention. The problem is that performance isn’t just about delivery. Here we identify where to look and why it’s c…

Standards: Video - Advanced Video Coding (AVC)

AVC remains one of the most widely deployed video codecs in the world, but navigating its profiles, levels and signaling mechanisms is far from straightforward.

Live Sports & Monetization: Public Service Broadcasters Maximizing Live Sports Opportunities

PSBs across the world are making the most of limited resources to enrich live sports coverage around ancillary content and platforms, and monetizing the resulting services. Here we focus on the content and coverage rather than technical issues around workflow…