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The company’s latest innovations, which include a new orchestration system and non-linear live streaming, are designed to maximise the monetisation opportunities and user experience of live sports.
Radio broadcasters attending the IBC2022 exhibition in Amsterdam should visit the ENCO stand to experience demonstrations of WebDAD 3.0, the next generation of the company’s browser-based, remote radio automation control solution.
MediaKind has announced new technology advances to its portfolio of edge products, delivering increased technology integration options with the major industry standards to content owners, broadcasters, and TV operators alike.
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Maintaining its position as the most flexible and practical signal processing device in both IP and SDI workflows, Imagine Communications’ Selenio Network Processor (SNP) continues to deliver the essential capabilities required to meet the needs of today’s most complex productions.
Zixi has announced a partnership with Marshall Electronics, a worldwide provider of professional Broadcast and AV technologies for television production, enterprise AV, UCC, studio, corporate, courtroom and others, who have integrated the SDVP into their lineup of IP cameras.
As parts 1 and 2 of this article highlighted, there are very practical steps available today for Streamers to reach broadcast-grade latency. Low latency protocols from HLS and DASH that implement CMAF Low Latency Chunking are the main proponents of 5-8 seconds of latency from encoder input to player output. But the pull system of streaming creates an opportunity to reach a new 1-second standard, perhaps that we can call “streaming-grade”.
Open Broadcast Systems demonstrate 100 millisecond latency video over a 5G private network and introduce time-based pricing at IBC. The 5G demo will be presented both on the Open Broadcast Systems booth and will be supporting the work of the 5G Remote Production…in the middle of nowhere within the IBC Accelerator Programme.
LiveU has announced the LU810 and LU610S, its breakthrough rackmount REMI (remote production) encoders with support for 5G, 4K and synchronized, multi-camera contribution.
