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In parts 1 and 2 of this three part series we discussed the benefits Remote Production has over traditional outside broadcasts, and the core infrastructures needed to make this work. In the third and final part of this series, we look at the challenges and costs associated with making live sports work effectively on Remote Production models to employ less equipment and crew on site, and to logistically cover more events using an IP infrastructure.
Since SMPTE formally standardized SDI in 1989, it has become the dominant video, audio and metadata transport mechanism for virtually all broadcast facilities throughout the world. Technology advances have not only made SDI incredibly reliable, but the specification has continued to progress, embracing ever increasing data-rates and video formats.
The deciBel is a logarithmic ratio that happens to express quite well both the signal loss in transmission lines and the subjective sense of loudness in human hearing.
The mathematics of finite fields and sequences seems to be a long way from everyday life, but it happens in the background every time we use a computer and without it, an explanation of modern error correction cannot be given.
The media industry is evolving faster than at any point in its history. Broadcasters and content producers are striving to meet consumers’ insatiable appetite for more content, rich viewing experiences, stunning images and access across all screens. As a result, in some cases, we have a situation where broadcasters’ revenues are growing more slowly than their costs. In fact, the big question facing all broadcasters today is how to create more first-class content more efficiently.
In part-1 of this three-part series we discussed the benefits of Remote Production and some of the advantages it provides over traditional outside broadcasts. In this part, we look at the core infrastructure and uncover the technology behind this revolution.
OTT delivery continues to expand to meet the relentless growing consumer demand. This trend shows no chance of abating and technologists are continually looking to innovation to scale infrastructures accordingly. But what does it mean to scale OTT? Where is the infrastructure? And who owns it?
Since its adoption for NTSC, essentially every subsequent electronic distribution means for color images has relied on color differences, making it a topic of some importance.
