Over the past year, as broadcasters and production companies have expended great effort to reconfigure their workflows and develop new ways of working amid strict safety protocols, so too have the manufacturers of the technology and systems they rely on.
SDI has been and continues to be a mature and stable standard for the distribution of video, audio and metadata in broadcast facilities. From its inception in 1989 to the modern quad-link 12G-SDI available today, it has stood the test of time and even with the advent of IP and Ethernet, it shows no sign of waning.
Digital TV broadcasting technologies continue evolving, but the industry’s goals can become a moving target when demands unexpectedly change.
A full-service, end-to-end post-production house based in London, ENVY Post Production supplies a variety of high-quality services to a growing stable of high-profile customers around the world.
This is the second instalment of our extended article exploring the use of Microservices.
It should constantly be borne in mind that although digital audio is a form of data, those data represent an audio waveform and there are therefore some constraints on what can and cannot be done to the data without causing audible impairment.
Flexible Access is our way of responding to customer needs we see in the market. At a high level, it is about putting our customer experience first and foremost. In these uncertain times, our customers need to produce more stories, better.
As the world went remote in 2020, many businesses turned to cloud technology to help keep content flowing, causing a massive spike in cloud adoption. As one data point, Signiant reported a more than 230% increase in data moving into and out of cloud storage using its own Media Shuttle SaaS offering. For many looking to build a supportive remote infrastructure, cloud storage and a reliable file transfer solution has become a powerful combination.
