If it feels like we’ve been talking about AoIP for the last 10 years, there’s a good reason for that; we have. IP has been a focus for broadcasters for so long that there are actual grown-ups working in the industry who don’t know of a time before IP was a thing.
Vendors at the 2023 NAB Show will present a diverse array of new technology that smooths the transition through hybrid SDI/IP systems into fully IP based workflows and onwards towards next generation cloud infrastructures.
Lawo has made a technology introduction of its next-generation server-based processing platform consisting of scalable, dynamic broadcast and media production apps and microservices. The commercial scheme under which they will be made available is equally revolutionary.
Here we continue the story of motion compensated compression using macroblocks.
Here we look at reflection and refraction, which figure highly in the cameras and lighting equipment used by broadcasters, to say nothing of the real word in which images are captured.
Although IP and cloud computing may be the new buzz words of the industry, hardware solutions are still very much in demand, especially when taking into consideration software defined architectures. And in addition, a whole new plethora of FPGA based configurable systems are providing flexibility, resilience, and scalability.
There’s a lot to consider when planning to incorporate uncompressed media into your live production particularly using SMPTE ST 2110, ST 2022-6 or AES67 streams. In this article, we will look at the network hardware, its architecture and future-proofing you should be considering.
New additions to Studer Vista digital mixing consoles and Evertz’ BRAVO Studio virtual production control suite are redefining the creative experience for content creators and broadcasters.