This is the first of a series of 14 articles that re-visit the basic building blocks of knowledge required to understand how IP networks actually work in the context of broadcast production systems.
Genelec has unveiled the 8381A Smart Active Monitoring system, a flagship floor-standing Adaptive Point Source design that fuses exceptional precision and envelopment with unrivalled LF control, huge headroom and high-resolution imaging.
TSL is showcasing its new TM1-Tally advanced control solution for OB trucks and broadcast environments at the Media Production & Technology Show 2023 (MPTS).
Now we turn to Spatial Compression, which takes place within individual images and takes no account of other images.
Quince Imaging, provider of high-resolution holographic displays and visually stunning esports events, has deployed multiple MediorNet FusioN 6B edge devices and a VirtU 48-S IP core infrastructure platform for one of its latest high-profile esports projects.
Riedel’s family of software-based products for multicamera production, integrated into its portfolio after the acquisition of Simplylive, consists of the Simplylive Production Suite, the RiMotion and RiCapture replay and ingest solutions, as well as Venue Gateways and Web Multiviewers.
In the Spring of 2019, Jean Vanbraekel, Head of Operations and Distribution for RTBF, was tasked with helping to move the French-speaking public broadcaster into the IP age and he was nervous. Not because he thought it couldn’t be done, but because the required production equipment was not fully tested (or didn’t exist at all). Most devices, like production switchers and replay servers, were available only in SDI at that time.
Shock waves are interesting phenomena that take place in a number of different media. For an arcane physical process, they have done quite well to be adopted by the mainstream media as one of their clichés, along with Mae West life jackets and aircraft black boxes (which are orange).